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		<title><![CDATA[IDRS forum (TM)]]></title>
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		<description><![CDATA[The most recent topics at IDRS forum (TM).]]></description>
		<lastBuildDate>Wed, 16 May 2012 16:44:51 +0000</lastBuildDate>
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			<title><![CDATA[Wanted:  Used Reeds'n'Stuff Bassoon Tip Cutter]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12734&amp;action=new</link>
			<description><![CDATA[<p>Anyone have a reeds&#039;n&#039;stuff bassoon tip cutter they&#039;d like to sell?</p>]]></description>
			<author><![CDATA[null@example.com (rickyoder)]]></author>
			<pubDate>Wed, 16 May 2012 16:44:51 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12734&amp;action=new</guid>
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			<title><![CDATA[maine chamber music festival]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12733&amp;action=new</link>
			<description><![CDATA[<p>Hello - I am posting this on behalf of a friend on the faculty at the Maine Chamber Music Seminar. There are still two spots open for bassoonists, and partial scholarships are available. For all inquiries please go to their website and contact the director of the program. Thank you.<br />__________________________________________</p><p>The Maine Chamber Music Seminar <strong>[June 17 - 23]</strong> is seeking college/conservatory and graduate level musicians. <br />There are still openings for this 2012 inaugural season.<br />STRINGS/PIANO/WINDS (fl/ob/cl/bsn/hrn)<br />PRE-FORMED ENSEMBLES are highly encouraged to apply and will be eligible for partial scholarship. <br />Deadline for applications is MAY 1st* (extended, until spaces are filled)</p><p>*At this late date, the audition requirements can be made flexible if the groups/individuals come strongly recommended.</p><p>(There is still some limited scholarship available).</p><p>ONLINE APPLICATIONS:&nbsp; <a href="http://www.nemcchambermusic.com">http://www.nemcchambermusic.com</a></p><p>PLEASE forward this information to your respective musical communities - educators and students, alike.</p><p>Thanks very much for your time. </p><p>Warmest Regards,<br />Jo-Ann Sternberg<br />Maine Chamber Music Seminar, Program Director<br />Princeton University<br />Western Connecticut State University<br />The Knights <br />Sequitur</p>]]></description>
			<author><![CDATA[null@example.com (levesque_montreal)]]></author>
			<pubDate>Tue, 15 May 2012 19:43:54 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12733&amp;action=new</guid>
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			<title><![CDATA[Loree AK Oboe (QX 37) for Sale]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12732&amp;action=new</link>
			<description><![CDATA[<p>This instrument has been played on for approximately four years and is in good condition. The top joint cracked once around the trill keys a few years ago, was repaired by Carlos Coelho (from whom I bought it), and hasn&#039;t cracked since. I have not played on it for a few months, so it would require a break-in period. Also, I have exchanged the original thumb rest for an adjustable thumb rest. If interested, we can negotiate a trial period. For the price, I am willing to negotiate as well, though I would like to stay in the $6200-6400 range. Email at <a href="mailto:mkswc2@mail.umkc.edu">mkswc2@mail.umkc.edu</a> or call (573) 690-6248.</p>]]></description>
			<author><![CDATA[null@example.com (Mary Stahlhuth)]]></author>
			<pubDate>Tue, 15 May 2012 16:42:39 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12732&amp;action=new</guid>
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			<title><![CDATA[ON DEMAND: CSO Chabrier/Bizet/Schmitt/Chopin until June 19th.]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12731&amp;action=new</link>
			<description><![CDATA[<p>(Make sure to listen to the Schmitt.&nbsp; It has a great part for EH and oboe...and a little exposed contra as well.)</p><p>The Chicago Symphony ON DEMAND broadcast this week features one famous oboe piece by Bizet, and one great piece for oboe/eh that I had never heard until today, Florent Schmitt&#039;s La tragédie de Salomé. (Make sure to listen to the whole Schmitt. There is a very big oboe solo at the end.) The Schmitt also has some exposed contra.<br /> They are play two other nice bassoon pieces....Espana and Chopin 1st Concerto.<br /> Available until June 19th.<br /><a href="http://cso.org/ListenAndWatch/Details.aspx?id=20480">http://cso.org/ListenAndWatch/Details.aspx?id=20480</a><br /> Chicago Symphony<br /> Alain Altinoglu, conductor<br /> Chabrier España <br />Bizet Symphony in C<br /> Schmitt La tragédie de Salomé (don&#039;t miss this piece if you play ob/eh/contra<br /> Chopin Piano Concerto No. 1 in E Minor, Op. 11<br /> Rafael Frühbeck de Burgos, conductor<br /> Lang Lang, piano</p>]]></description>
			<author><![CDATA[null@example.com (delmar)]]></author>
			<pubDate>Tue, 15 May 2012 15:52:36 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12731&amp;action=new</guid>
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			<title><![CDATA[NY Phil Bassoon Pow wow on tour in California..]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12730&amp;action=new</link>
			<description><![CDATA[<p>R-L Roger Nye, Judy LeClair, Kim Laskowski</p><p><span class="postimg"><img src="http://nyphil.org/wp/wp-content/gallery/arrival-in-the-golden-state/10_nyp20120508-costamesa_i8c8609sm.jpg" alt="http://nyphil.org/wp/wp-content/gallery/arrival-in-the-golden-state/10_nyp20120508-costamesa_i8c8609sm.jpg" /></span></p>]]></description>
			<author><![CDATA[null@example.com (delmar)]]></author>
			<pubDate>Tue, 15 May 2012 05:07:39 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12730&amp;action=new</guid>
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			<title><![CDATA[LIVE audio:EH of Las Vegas Phil in Recital May 15, 8pmMST/May19,5pmMST]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12729&amp;action=new</link>
			<description><![CDATA[<p>(May 19 will NOT be live.&nbsp; It will be a rebroadcast.)</p><p>Listen Tuesday May 15 at 8pm MST (10pm ET) &amp; Saturday May 19 at 5pm MST (7pm ET) here:<br /><a href="http://www.classical89.org/streaming/">http://www.classical89.org/streaming/</a></p><p>May 15<br />Mika Brunson, english horn; Larry Gee, piano<br />HINDEMITH Sonata for English horn and Piano; BOZZA Lied; STEINMETZ Suite from an Imaginary Opera<br />May 19<br />Mika Brunson, english horn; Larry Gee, piano<br />HINDEMITH Sonata for English horn and Piano; BOZZA Lied; STEINMETZ Suite from an Imaginary Opera</p>]]></description>
			<author><![CDATA[null@example.com (delmar)]]></author>
			<pubDate>Tue, 15 May 2012 01:26:05 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12729&amp;action=new</guid>
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			<title><![CDATA[South Dakota Bassoonist will be at Interlochen for her senior year....]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12728&amp;action=new</link>
			<description><![CDATA[<p>There is a nice video and article at this link.</p><p><a href="http://www.ktiv.com/story/18369728/student-bassoonist-trying-to-win-money-for-siouxland-school">http://www.ktiv.com/story/18369728/stud … and-school</a></p>]]></description>
			<author><![CDATA[null@example.com (delmar)]]></author>
			<pubDate>Tue, 15 May 2012 00:15:50 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12728&amp;action=new</guid>
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			<title><![CDATA[Liz Ryan: 7 reasons to let your kid study music]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12727&amp;action=new</link>
			<description><![CDATA[<p>&quot;Here&#039;s my issue,&quot; says a mom on the phone. &quot;My high-school senior son is good at many things, but he wants to major in music performance. Is it smart to let a kid major in music? Seems like a tough row to hoe.&quot;</p><p>&quot;Not in the slightest,&quot; I said. &quot;Your son might become a full-time performer, or do a million other musical things. He might write music, or conduct or arrange it or book tours or teach. If the kid wants to major in music, I&#039;d say, &#039;Heck, yes! Do it!&#039;&quot;</p><p>&quot;But will he be able to find a job in the music business?&quot; the mom asked me.</p><p>&quot;Your son won&#039;t find one long-term music job, most likely,&quot; I replied. &quot;He&#039;ll put various things together and figure out his path, the way all musicians do. He&#039;ll use his excellent dot-connecting skills, the ones every one of our kids -- and every one of us grownups, too -- should be cultivating anyway. &quot;</p><p>Here are seven reasons for a parent to encourage a musical kid to major in music:...[continued, Daily Camera]</p><p><a href="http://www.dailycamera.com/business-columnists/ci_20594833/liz-ryan-7-reasons-let-your-kid-study?IADID=Search-www.dailycamera.com-www.dailycamera.com">http://www.dailycamera.com/business-col … camera.com</a></p>]]></description>
			<author><![CDATA[null@example.com (IDRS)]]></author>
			<pubDate>Mon, 14 May 2012 21:07:19 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12727&amp;action=new</guid>
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			<title><![CDATA[R. Walter bassoons; seeking information.]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12726&amp;action=new</link>
			<description><![CDATA[<p>I&#039;m seeking any information I can about bassoons from the maker Rudolf Walter. Apart from their website, I have no frame of reference for their quality, their characteristic tone, or their price range. I&#039;ve been looking around for a new instrument for some time and after looking at Fox after Fox, I&#039;ve been checking out other makers, just for variety. I&#039;m intrigued by their accolades and by some of the top notch players that endorse them (either as a player of the horns or not), including my own bassoon hero, Sergio Azzolini. Is there a US agent for Walter? Does anybody out there have positive and negative reviews? Does anyone know of one for sale? Thanks, folks. </p><br /><p>Phil<br />NYC</p>]]></description>
			<author><![CDATA[null@example.com (phmurphy)]]></author>
			<pubDate>Mon, 14 May 2012 04:38:35 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12726&amp;action=new</guid>
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			<title><![CDATA[ON DEMAND audio: Shostakovich 4 LA Phil, EP Salonen until May 20th]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12725&amp;action=new</link>
			<description><![CDATA[<p>The LA Phil&#039;s ON DEMAND concert this week features Shostakovich Sym. 4. It is a great double reed piece, and isn&#039;t done so often. It&#039;s absolutely worth a listen especially if you don&#039;t know it. It has big bassoon and EH soli.....and big section solos for both double reed groups. It will be available until next Sunday May 20th.<br />Scroll down and look for the player here:<br />(It&#039;s on the second half of the show.&nbsp; Listen to some of the first piece as the player downloads and you can easily move it over to Sym. 4. )<br /><a href="http://www.kusc.org/laphil/">http://www.kusc.org/laphil/</a></p>]]></description>
			<author><![CDATA[null@example.com (delmar)]]></author>
			<pubDate>Mon, 14 May 2012 04:26:56 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12725&amp;action=new</guid>
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			<title><![CDATA[bsnMethod for students beginning bassoon or tenoroon]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12724&amp;action=new</link>
			<description><![CDATA[<p>Hello everyone,<br />I invite you to download a sample of my method for teaching beginning bassoonists attached to this post.<br />You can order a copy <a href="http://www.lulu.com/shop/adam-schwalje/bsnmethod/paperback/product-20121270.html?showPreview=true">here</a>.</p><p>bsnMethod is one of the few methods devoted to the beginner. It combines a modern pedagogical philosophy with sound instructional materials taken from the canon of great Western musical works, in a beginning method for bassoon or tenoroon. I&#039;m thrilled at the progress my beginners are making- I hope you find it as useful as I have!<br />Adam</p>]]></description>
			<author><![CDATA[null@example.com (aschwalje)]]></author>
			<pubDate>Mon, 14 May 2012 01:57:58 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12724&amp;action=new</guid>
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			<title><![CDATA[ON DEMAND audio: Nashville Sym. Carnegie Show...]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12723&amp;action=new</link>
			<description><![CDATA[<p>The second half of the show has all kinds of double reed activity for oboe/EH/bsn/contra.&nbsp; &nbsp;One moment stands out....at 2 hours 10 minutes and 50 seconds there is a BASS OBOE solo in the piece by Percy Grainger!&nbsp; It goes on for a minute.</p><p>Look for the player in the middle of the screen.&nbsp; Do NOT click on play at the top!<br /><a href="http://www.wqxr.org/#!/programs/live-broadcasts/2012/may/12/">http://www.wqxr.org/#!/programs/live-br … 12/may/12/</a></p><p>The Nashville Symphony arrives with Nashville-based electric violinist Tracy Silverman, the featured soloist on a new piece written for him by Terry Riley. In addition, the orchestra will perform the New York premiere of Charles Ives&#039;s monumental Universe Symphony. Elliott Forrest and David Garland host the program.</p><p>Nashville Symphony<br />Giancarlo Guerrero, Music Director<br />Tracy Silverman, Electric Violin<br />IVES: Universe Symphony (as realized and completed by Larry Austin) (New York Premiere)<br />TERRY RILEY: The Palmian Chord Ryddle for Electric Violin and Orchestra (New York Premiere)<br />GRAINGER: The Warriors</p><p>ENCORE: Roberto Sierra: Symphony No. 4, Fourth Movement</p>]]></description>
			<author><![CDATA[null@example.com (delmar)]]></author>
			<pubDate>Sun, 13 May 2012 14:52:03 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12723&amp;action=new</guid>
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			<title><![CDATA[Micrometer no longer lays at 0]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12722&amp;action=new</link>
			<description><![CDATA[<p>Hi all, </p><p>I&#039;ve been using a HDR micrometer (the Ferrillo design) for the past year.&nbsp; Yesterday I noticed that the needle no longer points to 0 but is now resting around 15/20.&nbsp; Has anyone had this happen to theirs? I&#039;ve never knocked it over or dropped it, so I&#039;m not sure what could be the cause of this.&nbsp; I&#039;ve cleaned it as best I could to make sure there was no cane stuck anywhere.&nbsp; Any thoughts/comments are much appreciated!</p>]]></description>
			<author><![CDATA[null@example.com (canuck_oboe)]]></author>
			<pubDate>Sun, 13 May 2012 03:05:04 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12722&amp;action=new</guid>
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			<title><![CDATA[Menghini's Etudes]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12721&amp;action=new</link>
			<description><![CDATA[<p>I want to recommend Vincenzo Menghini&#039;s masterful &quot;18 Studi per Fagotto in preparazione all musica contemporanea&quot; (18 Studies for Bassoon in preparation for contemporary music) published by Scomegna Edizioni Musicali. I find them to be excellent studies for rhythm, varying meters and particularly articulation.</p>]]></description>
			<author><![CDATA[null@example.com (ChrisW)]]></author>
			<pubDate>Sun, 13 May 2012 01:32:34 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12721&amp;action=new</guid>
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			<title><![CDATA[IDRS 2012 Master Classes]]></title>
			<link>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12720&amp;action=new</link>
			<description><![CDATA[<p>Master Classes for the&nbsp; IDRS 2012 Conference&nbsp; in Oxford, OH are filling up fast!!</p><p>Interested? Curious? Contact info@idrs2012.com </p><p>OBOE CLASSES by: John Abberger, Robert Atherholt, Peter Cooper, Luis Carlos Justi, &amp;&nbsp; James Ryon</p><p>BASSOON CLASSES by: Anders Engstrom, Aloysio Fagerlande, Paul Hanson, Leonard Hindell, Albie Micklich, David Petersen, &amp; Bill Winstead</p><p>See you in July!</p>]]></description>
			<author><![CDATA[null@example.com (schillcm)]]></author>
			<pubDate>Sun, 13 May 2012 00:40:49 +0000</pubDate>
			<guid>http://www.idrs.org/IDRSBBS/viewtopic.php?id=12720&amp;action=new</guid>
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