De Fagot / The Bassoon: A Report on the
Amsterdam Bassoon Festival, May 9 - 11, 1992

by William Waterhouse
London, England


Last May in Amsterdam a remarkable three-day festival devoted to the bassoon was staged by the 'Muziekzentrum De ljsbreker'. An exemplary organization which could only exist there, it stages contemporary music events throughout the year; the pleasant canal-side premises comprise a bar-cum-restaurant, two concert venues and an exhibition area. In the past similar mini-festivals have featured such relatively neglected musical instruments as viola, accordion and saxophone. This time the well-known Dutch bassoonist Henk de Wit was commissioned to mastermind a varied and comprehensive weekend of bassoon-related events. In addition to 14 concerts, there were interviews, film shows, bassoon-maintenance sessions, as well as an exhibition (complemented by a superb illustrated catalogue) of Henk's fine collection of bassoonalia.

In addition to a well-judged selection of core repertory, the programmed music included no fewer than 20 world premieres. Among those composers commissioned for the occasion were the American Eliott Schwartz, Wlodzimierz Kotonski from Warsaw, and Annette Schlunz, a remarkable young avant-garde composer from Dresden. In addition to a few 'bassoon band' ensembles, there were 29 solo performers, drawn from Benelux, Austria, Germany, Great Britain, Norway, Canada and the United States, including such well-known names as Milan Turkovic, Dag Jensen and Jesse Read. Among the highlights (for me) were: hearing both the bassoon works of Sofia Gubaldulina (the duo, and the concerto with Milan Turkovic); Munich prize-winner Dag Jensen in Isang Yun's Monolog; a 'walkabout' concerto for Luc Loubry accompanied by 11 'bassons' and two 'contrabassoons' disposed in three separate groups: the tenor bassoon's modern debut - Richard Moore in a new Sonatina by Victor Bruns; the monumental Skalkottas Sonata (Henk de Wit); the startling effects achieved by New York bassoonist Johnny Reinhard. And on a more personal note, the privilege for my wife and me of premiering an important addition to the repertoire: Eliott Schwartz's Chamber Concerto #5 for bassoon, piano and string quartet.

Programs of the Amsterdam Bassoon Festival
Saturday
Sunday and Monday


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