Double Reed Online

The latest news and event announcements from around the double reed world.

FOR IMMEDIATE RELEASE
Contact Person: Wendy Cheng
Nonprofit Name: Association of Adult Musicians with Hearing Loss
Email Address: info@musicianswithhearingloss.org
Web site address: https://musicianswithhearingloss.org

Conference on making music with a hearing loss to provide opportunities to share and discuss the challenge of music-making for individuals with significant hearing losses.
The Association of Adult Musicians with Hearing Loss is pleased to announce their second biennial conference for adults with hearing loss which will be held July 13-16, 2017 at Kean University in New Jersey. This conference will be of interest to individuals who enjoy playing music despite the challenges that hearing loss brings. There will be opportunities to develop ensemble skills and listening skills with large and small ensemble coachings by clinicians who are themselves deaf or hard of hearing. Hearing loop technology will be available during this conference. Saturday, July 15 will also feature presentations on the challenges of making music with a hearing loss and a viewing of the documentary, Lost and Sound. The conference will conclude with a public concert on the evening of July 15.

For more information about the AAMHL 2017 Conference, please visit the AAMHL conference website.
Founded in 2001, the mission of the Association of Adult Musicians with Hearing Loss is to

1) create opportunities for adult musicians with hearing loss to discuss the challenges they face in making and listening to music;
2) create opportunities for public performance either individually or in groups by adult musicians with hearing loss who might not otherwise have access to these opportunities;
3) provide ongoing feedback to hearing health professionals, hearing researchers, manufacturers of hearing assistive technology, music educators and others to improve hearing device technology relative to music performance and enjoyment; and to
4) provide educational opportunities to enable hard of hearing and deaf adults to appreciate and make music in ways not previously available.

RANK/SALARY:
Assistant Professor, full-time, tenure-track. Salary commensurate with experience.

DUTIES:
Primary responsibilities: recruit, retain, and teach oboe and bassoon music majors; communicate with music programs in the state and region.
Additional responsibilities: establish an active research and/or creative activity profile; coach chamber ensembles; supervise student projects and recitals; teach courses in allied subjects as needed; provide service to the campus, community, and profession.

QUALIFICATIONS:
Minimum: Doctoral degree in oboe or bassoon performance, ABD will be considered; excellent communication skills. The candidate selected for this position must be able to meet eligibility requirements to work in the United States at the time the appointment is scheduled to begin and continue working legally for the proposed term of employment; excellent communication skills required.
Desired: Professional performance experience in solo, chamber, and orchestral ensembles; successful experience recruiting and retaining talented students at the university level; experience teaching double reed repertoire and pedagogy.

APPOINTMENT DATE:
August 16, 2017

GENERAL
INFORMATION: Auburn is one of the nation’s premier land, sea, and space grant institutions. In U.S. News and World Report, it has been ranked in the top 50 public universities for the last 23 consecutive years. The institution is both highly research-active and committed to maintaining teaching excellence, offering bachelor, master, educational specialist and doctoral degrees. Its fall of 2015 enrollment of 27,287 students includes 21,786 undergraduates and 4,398 graduate students, and 1,103 professional-doctoral students. There are 1216 full time instructional faculty members distributed across nine colleges and three schools with degrees offered in 200 academic programs. Auburn University is nationally recognized for its commitment to academic excellence, positive work environment, exciting student life, and the beauty of its campus. It is geographically located in a moderate climate with easy access to both beach and mountain recreational facilities and is situated along the rapidly developing I-85 corridor between Atlanta, Georgia and Montgomery, Alabama.

APPLICATION:
Candidates should upload the following materials: letter of interest, curriculum vitae, transcripts of undergraduate and graduate work (unofficial transcripts are acceptable), and contact information for five references (email addresses, as well as telephone numbers) at: https://aufacultypositions.peopleadmin.com/. In the letter of interest, candidates must include a link to 20 minutes of video of recent live performances that reflect artistry and stylistic range. The video should include 15 minutes of performance on the primary instrument and 5 minutes of performance on the secondary instrument. For additional inquiries contact:
Dr. Corey Spurlin
Chair, Double Reeds Search Committee
Associate Professor
cspurlin@auburn.edu
334-844-3179

DEADLINE:
Screening will begin March 27, 2017 and continue until position is filled.

“Auburn University is an Affirmative Action/Equal Opportunity Employer. It is our policy to provide equal employment opportunities for all individuals without regard to race, sex, religion, color, national origin, age, disability, protected veteran status, genetic information, sexual orientation, gender identity, or any other classification protected by applicable law.”

I am happy to announce that Frank Swann has agreed to serve as exhibits coordinator for the 2017 IDRS conference at Lawrence University. Frank Swann studied oboe with Robert Sprenkle at the University of Rochester and graduated from Howard University with a degree in Chemical Engineering. He worked at Eastman Kodak for 9 years before relocating to Los Angeles, where he owned and operated a digital prepress/digital printing business. During these 25 years in LA, he was an active freelance oboist. Frank now resides in Washington, DC where he owns Capitol Cane, a double-reed cane business. He has served as an assistant with the exhibits for several IDRS conferences. Frank can be reached at swann@idrs.org. Also, please note that a merchants portal for conference exhibitors will be available on the IDRS website very soon. This will allow vendors to register online. More to come on this.

kws
——————————————–

Keith Sweger
President, International Double Reed Society
Professor of Bassoon
School of Music
Ball State University
Muncie, IN 47306-0410
Studio: 765-285-5511
sweger@idrs.org

13 February 2017

I am sorry to announce that Norma Hooks, our long-time Executive Secretary/Treasurer and friend, is experiencing some health problems.  She and her family have asked for all to respect their privacy as they work through these issues. Our thoughts go out to Norma and to her family.  Ed Craig has taken over many of Norma’s membership responsibilities.  If you have a question concerning your membership or if you have previously tried to contact Norma concerning membership issues, please send an email to Ed at craig@idrs.org; if you have any other questions concerning IDRS, you may contact me at sweger@idrs.org.

As many of you know, Howard Niblock, our co-host for the upcoming 2017 conference at Lawrence University, is also going through some health issues.  Current and former members of the IDRS Executive Committee are stepping up to assist Howard and Carl Rath as needed.  Please note that planning is moving ahead and we are looking forward to an exciting and successful conference In Appleton, Wisconsin from June 20 through 24.  If you have any questions, you can contact our hosts through their website www.idrs2017.org, Martin Schuring, our conference coordinator, at schuring@idrs.org, or me.  Information concerning exhibiting at IDRS2017 will be available very soon.
We recently completed some needed maintenance on our membership database.  I ask that if you have not already done so, to please renew your membership online at www.idrs.org.

To renew your membership, please login to www.idrs.org and select the RENEW button on the home page.

If you have forgotten or do not have a password for www.idrs.org, go to http://www.idrs.org/membership/password.php and enter your registered email address. If your email address is registered with IDRS, the server will email your password.

If your email address is not registered with IDRS, please select JOIN button on the home page.

By renewing/joining now online, you will be helping the society through this transition period.  Thank you for your continued support of the IDRS.
Best,

KWS

Keith Sweger
President, International Double Reed Society
Professor of Bassoon, Ball State University, Muncie, IN  47306
sweger@idrs.org 765-285-5511

Society members,

Before the end of the year, please consider supporting IDRS, a 501C non-profit organization. If you itemize your taxes, your donation is deductible (consult your tax advisor). Members can contribute by submitting cash donations, upgrading their membership to a Sustaining member or above, and by becoming a sponsor. Please click on the links below to donate or sponsor a member.

Also, this is a friendly reminder to renew your membership prior to the end of the current year. Renewing your membership early is very beneficial to the society, and insures that you receive every issue of our quarterly publication, the Double Reed. If your membership has lapsed, IDRS would love to have you back. Membership benefits include: our fantastic publications, full access to the our site http://www.idrs.org (a wealth of resources including the complete archive or every publication by IDRS from 1969), participation in our annual conferences, and more.

To Renew or Join (rejoin), please go to http://www.idrs.org and simply click RENEW or JOIN! If you have already registered to access the idrs.org site, but your membership has lapsed, you can lookup your password at https://www.idrs.org/membership/password.php

Finally, I ask that you recommend society membership to your double reed friends who are not currently members. Our membership has been growing in recent years, and we hope to continue this trend into 2017.

Donate to the Society: IDRS Donations and Grants
Give a gift of IDRS Membership: Sponsor- A-Member

I wish you happy holidays and a wonderful new year!

All the best,
Keith Sweger
Professor of Bassoon
School of Music
Ball State University
Muncie, IN 47306-0410

President, International Double Reed Society
sweger@idrs.org

Interested applicants please send:

  • Cover letter, resume and names/contact info of 3 references.
  • Video of your teaching.

Video or audio recording of:

  • Exposition of a standard repertoire concerto
  • Beethoven, Symphony No. 4, 4th mvt.: mm. 184-188.
  • Mozart, Overture to Marriage of Figaro: mm. 1-25.
  • Ravel, Bolero: Solo
  • Tchaikovsky, Symphony No. 4, 2nd mvt.: mm. 274-end.

Must be available to teach 22 June through 7 August, 2017.
Pay is $3,000 plus Room, board and a variable travel stipend.

Deadline for receipt of all materials: 1 February, 2017

Please send all materials (electronically) to: Bill.tortolano@snowpond.org

Founded in 1937, New England Music Camp is a summer camp for music students ages 11–18, located on 200 acres in Sidney, Maine, on the eastern shore of Messalonskee Lake in the Belgrade Lakes region. It follows a balanced structure of musical training (in the morning) and standard athletic activities (in the afternoon) such as sailing, kayaking, archery, tennis, softball, soccer, volleyball, badminton etc. There are numerous concerts offered free to the public during its six-week season on site at the Bowl in the Pines or Alumni Hall (respectively, the camp’s outdoor and indoor performance venues).

Faculty members at New England Music Camp are carefully chosen for both their achievements as professional performers and their recognition for excellence in teaching. We live in a close knit community where we dine family style and many of our faculty enjoy joining the campers on the recreation fields.
http://nemusiccamp.com

Ball State Oboe Marathon

Sunday, December 4

12 p.m. – 8 p.m.

Music Instruction Building 152

Ball State University, Muncie, IN

 

Schedule

Warm it Up!…………………………………………………………………………………………….12-12:30 p.m.

ISSMA Solo & Ensemble Mock Auditions & Feedback…………………..12:30-1:30 p.m.

Tune In, Turn On & Practice with Dr. Lisa Kozenko………………………1:30-2 p.m.

PLAY!! Trios, Duets and Oboe Ensemble………………………………………….2-3 p.m.

Oboe Master Class I with Sherry Sylar………………………………………………3-5 p.m.

Meet & Greet with Sherry Sylar…………………………………………………………..5-5:30 p.m.

Oboe Master Class II: The Versatile Oboist with Sherry Sylar……..6:30-8 p.m.

 

Prepare a piece!

All-day oboe repair with Carlos Coelho!

Bring your oboe!

 

Choose which events you would like to participate in by registering online at:

bsu.edu/music/events

BALL STATE UNIVERSITY — Assistant/Associate Professor of Music – Oboe. The Ball State University School of Music invites outstanding applications and nominations for a full-time, tenure-track appointment beginning August, 2017. Major responsibilities: Teach undergraduate and graduate applied oboe students, to perform in faculty chamber music ensembles, to coach mixed woodwind ensembles, to teach courses in oboe techniques, oboe repertoire and pedagogy, additional duties as assigned, and to provide an artistic model in a fine arts setting. The successful candidate is expected to assist with recruiting and maintain a strong oboe studio, advise students in academic matters, and participate in the student chamber music program. Additional performance opportunities may be available locally and regionally. Minimum qualifications: Completed Master’s degree in music, from an accredited college or university, a strong performance history, and a record of successful college teaching. Preferred qualifications: Demonstrated ability to recruit and retain quality students, exceptional performance and/or scholarly background, completed doctorate, experience in coaching chamber music, and/or teaching oboe repertoire and pedagogy. Applicants should upload a Curriculum Vitae, three letters of reference written within the past two years, a short list of additional references, performances from within the past two years representing various styles, student evaluations if available, and a copy of transcripts of the highest degree earned. Samples of recordings, scholarly publications, and other supporting materials may be included with the application. Additional supporting materials may be requested at a later date. Application materials will not be returned. Review of applications will begin December 1, 2016 and continue until the position is filled. This position is listed at http://academicjobsonline.org/ajo, position #8067. For a detailed description of the Ball State University School of Music, please visit http://bsu.edu/music. Ball State University is an equal opportunity employer.

VanHoesenK. David Van Hoesen, Professor Emeritus of Bassoon at the University of Rochester’s Eastman School of Music and former principal bassoonist of the Rochester Philharmonic Orchestra, died on Monday, Oct. 3, in Pittsburgh, Penn. An Honorary Member of the International Double Reed Society who stayed active as a performer until his retirement from the Lake Placid Sinfonietta in 2011, Professor Van Hoesen was 90 years old.

Born on June 29, 1926, in Rochester, N.Y., Professor Van Hoesen came from a musical family. His father, violinist and conductor Karl Van Hoesen, taught at the Eastman School and in the Rochester public schools. After receiving his Bachelor of Music degree at Eastman in 1950, Professor David Van Hoesen taught at the Oberlin Conservatory of Music and the Cleveland Institute of Music before joining the Eastman faculty in 1954.

During his 37-year tenure at Eastman, he taught students who went on to hold leading positions with major symphony orchestras in the United States and Europe–the New York Philharmonic, Toronto Symphony, National Symphony of Washington D.C., San Francisco Symphony, Cleveland Orchestra, Atlanta Symphony, Cincinnati Symphony, Dallas Symphony, Columbus Symphony, Charlotte Symphony, Baltimore Symphony, Colorado Symphony, and the Metropolitan Opera Orchestra, to name a few–and professorships in universities and colleges including The Juilliard School of Music, Oberlin Conservatory, the Eastman School of Music, the Cleveland Institute, and others.

In 1984, Professor Van Hosen received the Eastman School of Music’s Eisenhart Award for Excellence in Teaching.

“Not a day goes by where I don’t think of him, as his voice and his sound completely permeate my playing and my teaching,” said Judith LeClair, Principal Bassoon of the New York Philharmonic. “I will strive my entire life to uphold his great teaching and style and to share these influences with young students.”

“He was my musical father; I count my musical life as my time before and after I studied with him,” said Barrick Stees, Assistant Principal Bassoonist of the Cleveland Orchestra and instructor at the Cleveland Institute of Music and Kent/Blossom. “He was especially kind after I graduated, generous with his time if I had an audition or needed advice. I can’t say enough about how big an influence he was on me; and his influence as a bassoonist and teacher extended nationally and internationally.”

“The passing of K. David Van Hoesen was very sad news for all of us who had the pleasure and honor of being one of his pupils,” said George Sakakeeny, professor of bassoon at Eastman, who taught at Oberlin and other conservatories. “He was simply the greatest musician I have ever known who played the bassoon. His many contributions to his own students and to raising the artistic standards of bassoon playing in general will live on in the hearts and minds of all of us who both directly and indirectly learned and continue to learn from him.”

Professor Van Hoesen began his career as the inaugural bassoon professor at the Oberlin Conservatory from 1950 to 1954 and was second bassoonist of the Cleveland Orchestra under George Szell and faculty member at the Cleveland Institute of Music from 1952 to 1954. He moved to Rochester, N.Y., to play Principal Bassoon in the Rochester Philharmonic under Erich Leinsdorf and began teaching at the Eastman School of Music. He can be heard on many Mercury recordings with the Eastman-Rochester Orchestra.

An active soloist and chamber music artist, Professor Van Hoesen recorded for the CRI and Caedmon labels. Notable recorded works are by Allan Blank and Alec Wilder. Mr. Wilder wrote the Phyllis McGinley Song Cycle for Professor Van Hoesen, harpist and daughter Gretchen Van Hoesen, and soprano Jan DeGaetani.

Professor Van Hoesen’s daughters Gretchen and Catherine continued the family’s music legacy, both studying in the Eastman School of Music’s Preparatory Department (now named the Eastman Community Music School), and Catherine received her master’s degree at Eastman. Gretchen is Principal Harp of the Pittsburgh Symphony Orchestra, and Catherine is first violinist with the San Francisco Symphony. His granddaughter Heidi Van Hoesen Gorton is the Principal Harp of the Toronto Symphony.

Professor Van Hoesen researched subjects related to reedmaking tools and musical acoustics. He designed bassoon and reedmaking equipment and electronic equipment to measure acoustical impedance of bocals and instruments, which began while working with Arthur Benade at Case Western in 1981. In addition, throughout his career and in retirement he transcribed and published dozens of arrangements for woodwind instruments.

In a 1986 newspaper interview, Professor Van Hoesen said: “One of my students said something to me recently – ‘You know, you teach us to teach ourselves.’ I guess that really is so. I’m not trying to teach them every note of a piece … I don’t want them to be carbon copies of my interpretations. If someone tries to play like someone else, it never comes off effectively.”

Professor Van Hoesen continued his close ties to the Eastman community after his retirement, and performed frequently as a soloist. Of a 1993 performance of the Francaix Divertissement with the Rochester Chamber Orchestra, the Times-Union praised his “seamless phrasing and honeyed tone, elegant and warmly human,” as well as his “finesse, lyricism, and airy charm.”

“David enriched this school, not only because he was such a wonderful musician and teacher, but especially because he was such an exemplary and caring human being,” said Vincent Lenti, Professor of Piano and Eastman School historian. “When I joined the faculty in 1963, Dave and his wife were the first of my faculty colleagues to extend a hand in friendship towards me. I mourn his loss.”

Professor Van Hoesen is survived by his wife of 66 years, Carol Morse Van Hoesen; his daughters, Gretchen S. Van Hoesen (and son-in-law James A. Gorton, retired co-principal oboe of the Pittsburgh Symphony) and Catherine A. Van Hoesen; and his granddaughter, Heidi Van Hoesen.

A memorial service will be held on Saturday, October 8, at 2 p.m. in the Chapel at Canterbury Place, 310 Fisk St., Pittsburgh, PA 15201. In lieu of flowers donations can be made to the “Eastman School of Music”, 26 Gibbs St., Rochester, NY 14604 with K. David Van Hoesen bassoon scholarship in the check memo line.

The Committee of the 2017 Young Artist Bassoon Competition is pleased to announce the repertoire for next year, which will take place at Lawrence University in Appleton, WI. The Competition entries will be accepted starting on January 1, 2017 through an online application process. More information will be available at the end of August at http://idrs.org/competitions/ or contact Isabel Jeremias at jeremias@idrs.org

The 2017 Young Artist Bassoon Competition Repertoire:

  1. Antonio Vivaldi
    Concerto for bassoon and orch. en C minor F VIII, Nº14 RV480
    I. Allegro
    (edition of entrant’s choice)
  2. Gioachino Rossini
    Concerto for bassoon and orch.
    I. Allegro
    (Hoffmeister in Germany)
  3. William Davis
    Sonata for bassoon and piano
    I. Allegro grazioso, II. Recitative, III. Scherzo, IV. Finale
    (Southern Music Company)
  4. José Siqueira
    Drei Etüde für Fagott und Klavier
    I. Ad libitum-Allegro, II. Tempo di Modinha, III. Allegro scherzando
    (Trevco)
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