Double Reed Online

The latest news and event announcements from around the double reed world.

I am happy to announce that Frank Swann has agreed to serve as exhibits coordinator for the 2017 IDRS conference at Lawrence University. Frank Swann studied oboe with Robert Sprenkle at the University of Rochester and graduated from Howard University with a degree in Chemical Engineering. He worked at Eastman Kodak for 9 years before relocating to Los Angeles, where he owned and operated a digital prepress/digital printing business. During these 25 years in LA, he was an active freelance oboist. Frank now resides in Washington, DC where he owns Capitol Cane, a double-reed cane business. He has served as an assistant with the exhibits for several IDRS conferences. Frank can be reached at swann@idrs.org. Also, please note that a merchants portal for conference exhibitors will be available on the IDRS website very soon. This will allow vendors to register online. More to come on this.

kws
——————————————–

Keith Sweger
President, International Double Reed Society
Professor of Bassoon
School of Music
Ball State University
Muncie, IN 47306-0410
Studio: 765-285-5511
sweger@idrs.org

13 February 2017

I am sorry to announce that Norma Hooks, our long-time Executive Secretary/Treasurer and friend, is experiencing some health problems.  She and her family have asked for all to respect their privacy as they work through these issues. Our thoughts go out to Norma and to her family.  Ed Craig has taken over many of Norma’s membership responsibilities.  If you have a question concerning your membership or if you have previously tried to contact Norma concerning membership issues, please send an email to Ed at craig@idrs.org; if you have any other questions concerning IDRS, you may contact me at sweger@idrs.org.

As many of you know, Howard Niblock, our co-host for the upcoming 2017 conference at Lawrence University, is also going through some health issues.  Current and former members of the IDRS Executive Committee are stepping up to assist Howard and Carl Rath as needed.  Please note that planning is moving ahead and we are looking forward to an exciting and successful conference In Appleton, Wisconsin from June 20 through 24.  If you have any questions, you can contact our hosts through their website www.idrs2017.org, Martin Schuring, our conference coordinator, at schuring@idrs.org, or me.  Information concerning exhibiting at IDRS2017 will be available very soon.
We recently completed some needed maintenance on our membership database.  I ask that if you have not already done so, to please renew your membership online at www.idrs.org.

To renew your membership, please login to www.idrs.org and select the RENEW button on the home page.

If you have forgotten or do not have a password for www.idrs.org, go to http://www.idrs.org/membership/password.php and enter your registered email address. If your email address is registered with IDRS, the server will email your password.

If your email address is not registered with IDRS, please select JOIN button on the home page.

By renewing/joining now online, you will be helping the society through this transition period.  Thank you for your continued support of the IDRS.
Best,

KWS

Keith Sweger
President, International Double Reed Society
Professor of Bassoon, Ball State University, Muncie, IN  47306
sweger@idrs.org 765-285-5511

The Fernand Gillet-Hugo Fox Oboe Competition Committee is pleased to announce the repertoire for next year’s competition, which will take place at Lawrence University in Appleton, WI, USA in June 2017. Competition entries will be accepted starting on or around January 1, 2017 through an online application process. More information will be available at the end of August at http://idrs.org/competitions/ or contact Margaret Marco at mmarco@ku.edu.

The 2017 Fernand Gillet-Hugo Fox Oboe Competition Repertoire:

  1. Marin Marais
    Les Folies d’Espagne, couplets 1, 2, 3, 8,9,12,13,14,15,16, 20, 22, 24, 25, 26, 27, 30, 32, 1 (Alphonse Leduc)
  2. C.P.E. Bach
    Sonata in a minor for solo flute, Wq 132, (H562).
    Movement 1, Poco adagio & Movement 3, Allegro – (edition of entrant’s choice)
  3. York Bowen
    Sonata for Oboe and Piano, Op. 85, Movement 2, Andante espressivo and Movement 3, Allegro giocoso – (Chester)
  4. Isang Yun
    Piri (entire piece) – (Boosey & Hawkes)
  5. For final round only:

  6. Paul Patterson
    Phoenix Concerto, Op. 102 – (Josef Weinberger)

On behalf of the 2016 Fernand Gillet-Hugo Fox Competition Committee, I am pleased to announce the finalists for this year’s competition:

  • Nanci Belmont, USA
    Teachers include Frank Morelli, Jeffrey Keesecker, Maurizio Venturini
  • Quinn Delaney, USA
    Teachers include John Hunt, William Buchman
  • Francesco Giussani, Italy
    Teachers include Giorgio Versiglia, Diego Chenna
  • Michael Kaulartz, Germany
    Teachers include Ole Kristian Dahl, Audun Halvorsen
  • Riccardo Terzo, Italy
    Teachers include Maurizio Barigione, Stepan Turnovsky, Marco Postinghel, Dag Jensen

The alternate is Zhongwang Wang, China. Teachers include William Winstead, George Sakakeeny, Eric Stomberg

The finalists will compete at the IDRS conference in Columbus, Georgia on June 29th. The winner will perform Bernhard Crusell’s Concertino on the final concert and receive a cash prize of $12,000 US. The second prize is a $8,000 US cash award. Other finalists will receive a $3000 US cash award.

The IDRS wishes to express our deepest appreciation to our preliminary round judges:

  • Mathias Rácz (Germany) Principal Bassoon of Tonhalle Orchester Zurich, Professor at Zürcher Hochschule der Künste
  • Fabián Contreras (Argentina) Principal Bassoon of Orquesta Sinfónica de Córdoba
  • Nicolasa Kuster (USA) University of the Pacific Conservatory of Music
  • Lansong Li (China) Principal Bassoon of China Philharmonic Orchestra and Professor at Central Conservatory of Music Beijing
  • Katarzyna Zdybel-Nam (Poland) Principal Bassoon of Wroclaw Symphony Orchestra and 1st prize winner of the 2012 Gillet-Fox Competition

Saxton Rose
Chair, Fernand Gillet-Hugo Fox Bassoon Competition

I am very pleased to announce that Alan Gilbert, Music Director of the New York Philharmonic, has agreed to serve as Artistic Advisor to the IDRS in its 50th Anniversary Commissioning Project.  In this capacity, Maestro Gilbert will be working with the Executive Committee in identifying composers for the three works (oboe concerto/concertino, bassoon concerto/concertino and oboe, bassoon, piano trio) that will be commissioned for the 50th anniversary of our society.  Many thanks to Jeff Rathbun and Lenny Hindell who spearheaded the effort to have Maestro Gilbert join us in this project.

kws

——————————————–
Keith Sweger
Professor of Bassoon
School of Music
Ball State University
Muncie, IN  47306-0410

President, International Double Reed Society
sweger@idrs.org

The National Olympic Memorial Youth Center
Tokyo, Japan, August 17, 2015

The Committee Members of the 2015 Fernand Gillet-Hugo Fox Competition for Oboe are pleased to announce the final results for this year’s competition:

1st Place
Sergio Sanchez, VENEZUELA
Student of Marcos Tarazona, Hermes Nunes, Victor Morles, Ricardo Riveiro, Diethelm Jonas, David Walter and Jacques Tys

2nd Place
Bunkichi Arakawa, JAPAN
Student of Sholo Ikeda, Tomoyuki Hirota, Satoki Aoyama, Yoshiaki Obata

Honorable Mention
Stuart Breczinski, USA
Student of Jacqueline Leclair, Humbert Lucarelli, Mark Weiger, John Snow, Rachel Brudnoy

Andrew Kawai, AUSTRALIA
Student of Seng Tong and Jeffrey Crellin

Huijing Xu, CHINA
Student of Dun Zhu, Lu Tang, Christian Schmitt, Francois Leleux

Competition Repertoire
Antonio Vivaldi
Sonata in C Minor, RV 53, entire work, take repeats in movement 3 only

Heinz Holliger Sonate, movements 3 and 4

Katherine Hoover Sonata for Oboe and Piano, movements 2 and 3

Final Round: Eugene Goossens, Oboe Concerto, Op. 45

The Members of the Gillet-Fox Oboe Committee and the Officers of the Executive Committee are deeply appreciative of the time, effort and expertise of the judging panel.

Members of the Preliminary Stage Judging Panel:
Robert Atherholt. Professor of Oboe, The Shepherd School of Music at Rice University. Retired Principal Oboe, The Houston Symphony.
 
Sarah Francis. Fellow of the Royal College of Music and former Professor. Solo Oboist and Director of the London Harpsichord Ensemble.

Anne Gilby. Professor of Oboe, the University of Melbourne. Founding President of the Australasian Double Reed Society.
 
Làszlò Hadady.  Professor of Chamber Music, Conservatoire National Supérieur de Musique de Paris.
 
Marion Kuszyk.  Associate Principal Oboe, Los Angeles Philharmonic. Oboe Faculty, University of Southern California.

Members of the Final Stage Judging Panel:
Celia Craig. Principal Oboe, Adelaide Symphony. Lecturer in Oboe, Elder Conservatorium. Associate, Royal Academy of Music. Past-President, Australasian Double Reed Society.

Nancy Ambrose King, Professor of Oboe, University of Michigan. Former President, International Double Reed Society.

Yoshi Obata. Professor of Oboe, Tokyo University of the Arts.

Elizabeth Koch Tiscione, Principal Oboe, Atlanta Symphony Orchestra. Oboe Faculty, Kennesaw State University.

Song-Lam Yiu, Director and Solo Oboe, Hong Kong Wind Kamerata.  Faculty, The Hong Kong Academy for Performing Arts. 

Members of the Competition Committee:
Margaret Marco (Chair), Martin Schuring, Dan Stolper and Eric Stomberg

The National Olympic Memorial Youth Center
Tokyo, Japan, August 17, 2015

Saxton Rose
Winston-Salem, North Carolina

The eighth annual Young Artist Competition was held this summer for bassoonists at the IDRS conference at the The National Olympic Memorial Youth Center in Tokyo, Japan. Since its inception in 2008, the Young Artist Competition gives double-reed artists under the age of 22 the opportunity to compete, and like the Fernand Gillet-Hugo Fox Competition, it alternates each year between oboists and bassoonists. The IDRS sponsored competitions showcase the amazing talent in our double-reed communities throughout the world and this year was no different.

Three finalists and one alternate were chosen based on recordings submitted by 41 applicants from all over the world. These recordings were anonymously adjudicated by a distinguished panel of judges including Silvia Coricelli (Argentina), Kazusa Mizutani (Japan), and Alban Wesly (Netherlands). The finalists were Valeria Curti of Switzerland, a student of Patrik Lüscher, Matthias Racz, Frank Forst, Geng Liang of Singapore, a student of Zhang Jin Min and Song Zhi Hong, and Kaspar Reh of Germany, a student of Selim Aykal and Frank Forst. Mathieu Brunet of France was chosen as the alternate.

Valeria, Geng and Kaspar competed on August 17th, playing selections from the following repertoire: The first movement of Koželuh’s Concerto in C Major, the third movement Molto Adagio and Allegro Moderato of Saint-Saëns’ Sonata for Bassoon and Piano, four of Mignone’s Waltzes for Solo Bassoon including Pattapiada, Apanhei-te meu fagotinho (Valsa paródia), A Boa Páscoa Para Você Devos! and Valsa-Choro, and Franz Doppler’s Fantaisie Pastorale Hongroise, Op. 26 movement I, Molto Andante, arranged by Masahito Tanaka.

This is a unique year in the history of the Young Artist Competition. Tojo Shigeko, the wife of the late Masahito Tanaka generously donated ¥300,000 Japanese Yen for a special prize to be awarded to the performer of the jury’s favorite performance of Tanaka’s arrangement of Doppler’s Fantaisie Pastorale Hongroise.

After deliberating, our extraordinary final round judges Sophie Dartigalongue (France), Albi Michlich (USA) and Koji Okasaki (Japan), chose Valeri Curti as the winner. She received a cash award of $4000 USD. Kaspar Reh was awarded second prize and a $2500 USD award. Third prize and $1000 USD went to Geng Liang. Valeri Curti also received the Tanaka prize.

The level of playing was truly remarkable and each of the finalists and their teachers should be applauded for the enormous amount of work and dedication, the result of which we were privileged to hear. Valeri performed the Doppler and Saint Saens on an evening recital Tuesday, August 18th. I would like to thank pianist Miyuki Washimiya for her beautiful playing throughout the conference and her exceptional accompaniment work during the competition.

As with all IDRS endeavors, the Young Artist Competition is the collective, volunteered effort of many people contributing in countless ways. I must thank Competitions Coordinator Eric Stomberg and Norma Hooks, IDRS Executive Secretary/ Treasurer, for their incalculable time and invaluable council and expertise. Thank you also to conference host Sugawara Hitomi and the conference staff for their organizational assistance.

Next year’s competition, coordinated by Geralyn Giovannetti, will feature oboists and will take place at IDRS 2016 in Columbus, Georgia at Columbus State University. Bassoonists can look forward to the 2017 competition at the conference in Appleton, Wisconsin.

The International Double Reed Society is pleased to announce the repertoire for the 36th annual Fernand Gillet-Hugo Fox performance competition being held for bassoonists during the 2016 annual conference, June 26-30 at Columbus State University in Columbus, Georgia (USA). The competition is for bassoonists who have not reached their 31st birthday by the date of the final round of the competition (June 29, 2016). Application details will be available on January 1, 2016. Any questions can be addressed to Saxton Rose, Competition Chair, at roses@uncsa.edu.

Competition Repertoire:
1. Isang Yun, Monologue

2. Bernhard Crusell, Concertino in B-flat major
For the preliminary round recording, begin with the cadenza at measure 51

3. Antoine Dard, Opus 2 Sonata VI in a minor
No repeats in movement II Allegro

4. Robert Schumann, Fantasiestücke op. 73
Movements II and III only, all repeats

The final round will consist of selections from all of the above works. The winner of the competition will perform the Crusell Concertino with orchestra at the conference.

The International Double Reed Society is pleased to announce the repertoire for the 9th annual Young Artist Competition being held for oboe during the 2016 annual conference, June 26-30 at Columbus State University in Columbus, Georgia (USA). The competition is for oboists who have not reached their 22nd birthday by the date of the final round of the competition (June 28, 2016). Application details will be available on January 1, 2016. Any questions can be addressed to Geralyn Giovannetti, Competition Chair, at oboe@byu.edu

Competition Repertoire:

1.Georg Philipp Telemann, Partita #5 in E Minor (any edition), Movements: (with repeats)

  • 1. Andante
  • 2. Aria I: Vivace
  • 5. Aria IV: Siciliana
  • 6. Aria V: Vivace

2. F. J. Haydn, Concerto in C Major, Hob. VIIg:C1 (Oxford or Breitkopf and Hartel edition)

  • Movement: 1. Allegro spiritoso

3. Daniel Pinkham, Reeds for Solo Oboe (Peters Edition), Movements:

  • 3. The golden reed
  • 5. A reed shaken in the wind

4. For final round only: Charles-Joseph Colin, Solo de concert No. 3 Op. 40 (any edition)

The first round will consist of recorded performances of the Telemann, Haydn and Pinkham as listed above​. The final round will consist of selections from the above works​ plus a performance of the Colin. The winner of the competition will perform a recital at the conference.

IDRS 2015 Tokyo Conference Guide

By Yoshi Ishikawa,
IDRS 2015 Conference Liaison, Editor, IDRS OnLine Publications
Chairman, Asian Double Reed Association
Professor of Bassoon Performance, University of Colorado Boulder, College of Music

• Using a credit card to pay for conference registration and on-campus housing
• Email notifications
• Off campus hotels
• Getting to the National Youth Center (NYC), Tokyo (IDRS conference site)
• Getting to your hotel/Shinjuku station from Narita and Haneda Airports
• Getting around Tokyo

Credit Cards

A few members have had issues using their credit card to pay for conference housing and registration. Some also reported NOT receiving a confirmation email from IDRS 2015 after they registered. If you have successfully registered and made your payments, please skip this section.

There are two possible security schemes conducted by credit card companies, which may restrict the use of your credit card for foreign transactions. To avoid problems, contact your credit card companies and inform them that you will be making purchases from a website in Japan. For most credit cards issued by major banks, such as CHASE, you may receive a “Fraud Warning,” via email or text message, requiring you to respond if you did not authorize the purchase. If you do nothing, the transaction will be posted to your account shortly. Some smaller banks may reject foreign credit card transactions even if you have notified them about your foreign purchase. The reason is that the Japanese CC clearing house, BASE  (for VISA and MC) and stores.jp (AMX) may first send a $0.01 test charge to your credit card company. If it is accepted, the transaction will continue with the full amount. If your credit card company rejects the $0.01 transaction, you will not see any charges posted to your account and the payment will not go through. If this is the case, contact your CC Company and while on the phone with customer service, initiate the payment transaction from the site. Inform them of the $0.01 test charge.

Email notifications

Some members reported that they failed to receive a confirmation email from IDRS 2015 Conference after they submitted their registration or housing reservation. The possible cause is a firewall/spam blocker at the system level of the email provider. AOL and Hotmail are two major providers, which have blocked email messages sent from the IDRS 2015 site. If you failed to receive confirmation email from IDRS 2015, please register again using a different email address. I use Gmail and have no problem with a spam block.

Off campus hotels

There are numerous hotels near the IDRS 2015 conference site, NYC (National Youth Center). It is located near Shinjuku (新宿駅), the major train statin. IDRS 2015 has contracted JTB Tours (Sunrise Tours JTB, http://www.jtb-sunrisetours.jp/) to manage hotel reservations outside of the NYC campus for IDRS 2015 conference delegates. The following are recommended hotels from JTB located near the Shinjuku station. An estimated range of rates is listed, and is relative to the specific date of stay. Please note that the rates listed are for one person per day, and include breakfast, service fees and taxes. The web portal to reserve hotels rooms through JTB will open by 15 May.

Hotel Sunroute Plaza Shinjuku

Single (One person per room) : 15,000 – 17,500 Yen (per person, per room)
• Twin (Two persons per room) : 11,500 – 14,500 Yen (per person, per room)

Shinjuku Washington Hotel

• Single (One person per room) : 10,000 – 13,000 Yen (per person, per room)
• Twin (Two persons per room) : 8,500 – 10,500 Yen (per person, per room)

Keio Plaza Hotel Tokyo

Single (One person per room) : 29,000 – 35,000 Yen (per person, per room)
• Twin (Two persons per room) : 17,500 – 21,500 Yen (per person, per room)

All three hotels are also serviced by major US travel sites. When comparing rates, remember to add breakfast, a service fee and taxes.

There are other major hotel brands in Shinjuku. Some members of the IDRS Executive board, including me, will stay at the Tokyo Hilton in Shinjuku. The Tokyo Hilton is very conveniently located, since the bus stop for line No. 51 is across the street. The ride is 13 minutes and the bus stops in front of NYC. Bus 51 runs every 20 minutes and costs ¥250 per ride. Unfortunately, a recent search for Tokyo Hilton reservations indicated that rooms are sold out for the dates corresponding to the conference. If you are interested in staying at the Tokyo Hilton, I would continue to search using an online search engine, such as trivato.com. Hotels often sell block of rooms to travel sites or randomly make rooms available. The rates for hotels vary depending on when and from where reservations are made.

If you are considering other hotels in the Sihjuku area, select hotels on the west side (西口Nishiguchi – west exit) of Shinjuku station. Next to the Tokyo Hilton is the Hyatt Regency as well as smaller mid-range hotels. I suggest that you use Tokyo Hilton as a staging point and look for hotels near the Hilton.

Hotel prices range from under $75 to over $400+ per night. Avoid the area northeast of Shinjuku station, Kabukicho (歌舞伎町), which is the largest red light district in Tokyo.

Getting to the National Youth Center (NYC), the IDRS conference site

To get to NCY via bus line No 51, take the bus going towards Shibuya Station渋谷駅. The fare is ¥210 (use PASEMO or SUIKA card, see Getting around in Tokyo, below). Bus 51 stops directly in front of NYC. It comes every 20 minutes from 7:00AM to 10:00PM and takes 13 minutes. Another option is to take the local train, the Odakyu Line (¥130), from Shinjuku station. Get off at the first stop, Sangubashi参宮橋駅 (14 minutes). From Sangubashi, NYC is an 8-minute walk. The Odakyu line service is from 5:00AM-12:30AM. A taxi is also a good option. Japanese taxies are safe and very clean.

Google maps is a good transportation guide. To find the location of the IDRS conference, enter in Google Maps, National Youth Center Tokyo or国立オリンピック記念青少年総合センター, Japan, 151-0052 Tokyo, Shibuya, Yoyogikamizonocho, 3−1

Getting to your hotel/Shinjuku station from Narita and Haneda Airports

Haneda and Narita are the two major airports for Tokyo. Both airports service international flights. The trip from Haneda to Shinjuku will take about 47 minutes, and from Narita to Shinjuku will take about 1 – 1:20 minutes.

The easiest way to get to your hotel from the Narita or Haneda airport is to take the Limousine bus, especially if you have luggage. The Limousine bus will take you directly to several hotels in the Shinjuku area, including the Tokyo Hilton, Keio Plaza Hotel Tokyo, Hotel Sunroute Plaza Shinjuku and Shinjuku Washington Hotel. Please use the link below for the complete schedule and rates. Bad traffic may lead to delays when using a Limousine bus. Japanese trains runs exactly on time and are faster than buses.

A train from Haneda to Shinjuku is possible, but requires changing trains. The Shinjuku train station will be very busy especially during the rush hour (morning, afternoon and late night). It is the world’s busiest station and transportation hub. During rush hour foot traffic is equivalent to traffic you may face at a major sport event in US. The only difference is that everyone is walking very fast with purpose. Walking against traffic is not recommended or possible. Crossing the foot traffic is very difficult unless you are used to it. If you are not familiar with Shinjuku station, and have luggage, take the Limousine bus!

https://www.limousinebus.co.jp/en/

Narita Express is the only direct train service from Narita to Shinjuku. The station is located in the terminal. The train runs on time regardless of traffic. At Shinjuku station, follow the sign for西口Nishiguchi – west exit. From the exit, take a taxi to your hotel (5 min). Tokyo Hilton provides a free shuttle bus every 20 minutes from the west Shinjuku exit near Keio department center.

http://www.jreast.co.jp/e/nex/

Keisei Skyliner also services Narita to Shijuku. Skyliner is faster and less expensive, but requires changing trains at Nippori station. Unless you are familiar with the Japanese train system, I recommend either a Limousine bus or the Narita Express.

http://www.keisei.co.jp/keisei/tetudou/skyliner/us/ae_outline/index.html

Getting around in Tokyo

Tokyo is a fascinating city to explore. You can get to virtually all areas of Tokyo using trains and buses. Trains are by far the easiest way to get around Tokyo. Buying tickets can be challenging due to the size and the complexity of the transportation system. Each location has a different fair, and tickets must be purchased at a vending machine for each trip. To circumvent the complicated ticketing system, travelers can purchase either a PASMO or SUICA card. Both are IC cards and are available for a small fee at vending machines at most major train stations. Value can be added to the card via vending machines using cash or a credit card. Both cards are valid on trains and busses, as well vending machines, convenience stores and more throughout Japan. To use the card, simply place it over the scanner as you enter and exit the station. Correct amounts are automatically deducted from the card. The IC scanner will read the card without removing it from your wallet. Just touch the wallet on the IC reader.

Pasmo card info – http://www.pasmo.co.jp/en/

Suica card info – http://www.jreast.co.jp/e/pass/suica.html

Happy travels, Yoshi Ishikawa

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