1st paragraph on page 63 should read as follows:

The Concerto in C Major for oboe and orchestra, attributed to Joseph Haydn, is one of the most popular selections from the late 18th century concerto repertoire. At least seven recorded performances by as many different artists representing seven different countries are to be found. Its frequent performance on student recitals attests to its recognition as an important choice for study and performance.

Page 63 Mandyczewski misspelled twice

Page 64 Werkverzeichnis misspelled

Page 68 citation should appear as follows:

B&H

• 10-28 omitted in PE.
• 4349 omitted in PE.
• 51 -53 omitted in PE.
• 57 is 2 measures in PE.
• 59 top voice leads from d'' to c''.
• 74 not written outin 48 PE

PE

• 57 trill on f' and turn ending.
• 72 four eighth notes instead of four sixteenth notes.

PE

• 73 theme drawn from measures 11-19, this is B&H 28-36.

B&H

• 36 is the substance of PE 81-83; PE 84-86 is B&H 116-118.

B&H

• 179-180/PE 140-141 PE varies the melody.

PE

• 150 trill on f'' (B&H 188).

B&H

• 226 omitted in PE.

PE

• 189-192 solo line is considerably embellished (B&H 229-232).

PE

• 200 varied from the original statement.

PE

• 209 adds a trill on low eb and turns the ending (B&H 250).

PE

• 211 V chord omits the 7th (B&H 252).

B&H

• 253-254 omitted in PE.

B&H

• 268-299 omitted in PE.

PE

• 225 and 227 use four sixteenth notes instead of the quarter note in B&H 300 and 302.

PE

• penultimate measure has the bass line filled on each beat.

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