CONTEMPORARY LITERATURE FOR THE BASSOON
By Richard
W. Lottridge
Professor of Music, University of Wisconsin at Madison
During the summer of 1975, thanks to the encouragement of the University of
Wisconsin Graduate School, I was able to spend time looking into the
contemporary literature for the bassoon.
Efforts were concentrated on works for bassoon and piano and for
unaccompanied bassoon. The use of multiphonics and other contemporary techniques
interested me, but I was not able to locate many compositions using them.
One of the objectives I had in mind was to find new works which I could use
or recommend to my students for recital use. Unfortunately, I found few works I
would enjoy working on for public performance: however, a few did emerge.
One of them, using multiphonics and various effects on the piano strings,
which I especially liked, was David Ward-Steinman's Child's Play. I felt
that the multiphonics were not used merely as a gimmick but as an effective
compositional tool, and that this work had form and style.
When exploring bassoon literature, one must not overlook composer Alec
Wilder. His third sonata should be available soon. As with his first two
sonatas, it is filled with nice melodies, canons which defy the performers and a
style typical of Wilder's compositions.
There are a number of unaccompanied compositions which have become available
in the last decade. One of the problems with solo works, of course, is making
them interesting musically. Many of the compositions probably should be used as
etudes rather than as performance pieces. The Willson Osborne Rhapsody
is still unique as a solo work of expressive beauty.
Today's composers seem to have overlooked the possibility of writing for
bassoon and harpsichord. The bassoon is at a distinct disadvantage when playing
a sonata with a large grand piano where the piano part is in the same general
range with the bassoon. Writing for harpsichord would eliminate this balance
problem.
Although there seems to be more and more solo literature for the bassoon, my
investigation indicates that we still are lacking in enough new "Major"
works for bassoon and keyboard.
The following is a list which eliminates the standards such as Etler and
Hindemith and is far from being complete; however, it should give the reader an
idea as to what literature is available for exploration.
Bassoon and Piano
- Ancelin, Pierre - La Naissance de Gargantua, deux scènes
pour basson et piano (Les Editions Ouvrieres)
- As with a great deal of French woodwind music, this piece has its technical
difficulties. Not a bad piece, in spite of the title.
- Ameller, Andre - Belle Province Gaspésie (Alphonse
Leduc)
- Two minutes duration. Pleasant, slow and easy. (the Gaspé area is in
maritime Canada the composer Ameller is a Canadian living in France. Ed.)
- Boizard, Gilles - Fantaisie (Editions Musicales
Transatlantique)
- One of the works: Morceau de Conservatoire National Superiéur de
Musique. Difficult.
- Bozay, Attila - Episodi (Editio Musica Budapest)
- Four movements. Seven minutes duration. Fast movements have good rhythmic
vitality, and the slow movements allow for expression.
- Bozza, Eugène - Shiva (Alphonse Leduc)
- Two long cadenzas separated by a recitative and ending with a quick
scherzo-style section. It is interesting to note that "Shiva" is one
of the three Hindu divinities, considered by those who worship him as a creative
force.
- Castelnuovo-Tedesco, Mario - Sonatina (General Music, Not
published yet, to my knowledge.)
- Three movements. Composed in 1946. Nice and melodious. (recorded by the
writer on Golden Crest RE 7055)
- Coulthard, Jean - Lyric Sonatina (Waterloo Music Co.,
Ontario, Canada)
- Three movements. A fairly difficult but appealing work. Busy piano part.
- DeGastyne, Serge - Sonatina for Bassoon and Piano (Fereol
Publications. P.O. Box 6007 Alexandria, Virginia 22306)
- Three movements. Busy work.
- Dubois, Pierre Max - Tropical (Editions Rideau Rouge)
- An andante for bassoon and piano. About one minute in duration. Good for
use in a group of short solos on a recital.
- Dubrovay, László - Cinque Pezzi (Editio
Musica Budapest)
- Well written. Piano stays out of the way, and yet it is an interesting
part. Good 20th-century work in the traditional style. Seven minutes duration.
- Hanus, Jan - Short Story (General Music Publishing Co.)
- Folk dance style - not difficult. Two and a half minutes duration.
- Kardos, Istvan - Bipartitum for Bassoon and Piano (General
Music Publishing Co.)
- Two movements. Moderately difficult.
- Karolyi, Pal - Contorni per fagotto e piano (Editio Musica
Budapest)
- Pianist must play on strings; bassoon flutter-tongue, quarter tones and
multiphonics.
- Kocsar, Miklos - Dialoghi per fagotto e piano (Editio
Musica Budapest)
- Five movements. Very free, in quasi-recitative style.
- Markiewiczowna, Wladyslawa - Toccata (PWM. Warsaw)
- Good staccato exercise for the bassoon. Difficult piano part. 5 minutes 30
seconds duration.
- Murail, Tristan - Trans-Sahara Express (Editions Rideau
Rouge)
- A good introductory to contemporary notation. Not difficult.
- Rothgarber, Herbert - Interplay for Bassoon and Piano
(Southern Music Company)
- This piece alternates between a somber mood and a lively section, which
contains a jazz motif.
- Sauguet, Henri - Un Soir a Saint-Émilion (Alphonse
Leduc)
- A "Romance pour basson et piano." Quiet mood and not difficult.
Four minutes duration. (Editor's note: This work is dedicated to the French
bassoonist Gerard Faisandier, who is also a wine grower. Saint-Emilion is one of
the wine districts. On the back cover of this composition is a photograph of
four labels from wine bottles produced at Saint-Emilion . . . but Faisandier's
label is not among them!)
- Schectman, Saul - Serenade (Boston Music Co.)
- Three movements (Promenade, Aria and Scherzo). Nice texture throughout.
Conventional writing.
- Schwartz, Elliott - Romance for Bassoon and Piano (General
Music Publishing Co.)
- Makes use of full range of the bassoon. A nice work. Three and a half
minutes duration.
- Siegmeister, Elie - Contrasts (MCA)
- Three part work (A and C sections lively and B section is "blues"
style.) Nice work. About five minutes long. Very American in style.
- Srebotnjak, Alojs - Six Pieces (G. Schirmer)
- Short pieces. Some tricky rhythm and lots of leaping intervals.
- Ward-Steinman, David - Child 's Play (Highgate Press)
- Multiphonics used musically in this work. Recorded on Advance Records.
Wilder, Alec
- Sonata No. 1 (Sam Fox Publishing Co.)
- Sonata No. 2 (Southern Music Co.)
- Sonata No. 3 (Margun Music Inc., 167 Dudley Road, Newton Center,
Mass. 02139)
- Three nice sonatas from the man who is not afraid to write a melody. Alec
Wilder is certainly a friend of woodwind players with his many quintets and
sonatas. There are two excellent trios for clarinet, bassoon and piano, which I
assume will be made available from Margun Music, Inc.
- Zehm, Friedrich - Pentameron (Schott)
- A good five movement piece with variation of style between the movements.
Not difficult.
- Zur, Menachem - Three Pieces (Seesaw Music Corp.)
- Includes muItiphonics and improvisation.
Unaccompanied Bassoon
Acker, Dieter - Monodie für Fagott Solo (Edition Gerig)
- Aitken, Hugh - Montages, Partita for Solo Bassoon (Oxford
Univ. Press)
- A charming five-movement work.
- Arma, Paul
- Quatre Resonances pour Basson Seul (Gérard Billaudot)
- Trois Evolutions pour Basson (Choudens)
- Both of the above works are good study pieces.
- Arnold, Malcolm - Fantasy for Bassoon (Faber Music)
- A fast, spirited work.
- Bon, W. F. - Sonate voor Fagot (Donemus)
- Four movements. Nice work. Some flutter tongue.
- Brons, Carel - Monoloog IV (1968) (Donemus)
- Short work. Probably sounds improvised when played well.
- Cohn, Arthur
- Declamation and Toccata (Elkan-Vogel)
- Hebraic Study (Elkan-Vogel)
- These works may be played with or without piano accompaniment. The
Hebraic Study includes quarter tones.
Cope, David - Three Pieces for Bassoon (Seesaw Music Corp.)
- Leichtling, Alan - Serenade-Etude for Bassoon or Contra
(Seesaw Music Corp.)
- Five movements. Originally written for contra bassoon.
- Perle, George - Three Inventions (Theodore Presser Co.)
- Watch out for high g" -'s. Recorded by Arthur Grossman on Coronet
Stereo 2741 (Persichetti's "Parable" is also on this recording)
Persichetti, Vincent - Parable (Elkan-Vogel)
- Raphael, Gunter - Solo Sonaten, Op. 46 (Willy Muller)
- Written in 1954. Four movements. A good study piece. 8 1/2 minutes
duration.
- Russell, Armand - Sardonics (Seesaw Music Corp.)
- Five short movements. Uses multi phonics, improvisations, key clicks and
other effects.
- Schroder, Hanning - Musik für Fagott Solo (Lienau)
- Five movements. A good study piece.
- Stein, Leon - Sonata for Solo Bassoon (American Composers'
Alliance)
- Three movements.
- Thimmig, Les - Three Fagottelles (G. Schirmer)
- Three movements. Sounds improvised when played well. Difficult, but fun to
prepare.
Ultan, Lloyd - Sonatine for Unaccompanied Bassoon (American
Composers' Alliance (?) -)
- Weait, Christopher - Variations for Solo Bassoon (Harmuse
Publications 529 Speers Rd., Oakville, Ontario, Canada)
- This work demonstrates different effects which can be produced on the
bassoon. Recorded by the composer ("Four Centuries of Music for Bassoon."
Pyramid Stereo 102, Canada; Lyrichord Stereo LIST 7277, U.S.A.)
- Weiner, Stanley - Sonata for Bassoon Solo (MCA)
- A nice work. Three movements.
- Zonn, Paul - Asanomusic (American Composers' Alliance?)
- Written at Tanglewood, 1968. Short duration.