THE OBOIST'S CATALOGUE OF ARIAS FROM THE CANTATAS OF JOHANN SEBASTIAN BACH
Richard E. Kilmer


Richard E. Killmer

Editor's Note: Richard Killmer has studied with Richard Henderson, William Gower, David Abosch, and Robert Bloom. He holds degrees from the University of Northern Colorado and from Yale University. He was first oboist of the Oklahoma City Symphony for three years; this September he enters his seventh season as principal oboist of the St. Paul Chamber Orchestra, with which he often appears as soloist. He is also a member of the St. Paul Wind Quintet and the St. Paul Wind Ensemble.

- Legend -

1. Cantata number and name; or name of Passion, Oratorio or Mass.
2. Occasion and/or year.
3. Aria number (place in the Cantata) and name.
4. Volume number in Bach Werke and pages where aria may be found.
5. Instruments and voices as listed in Bach Werke.
6. Figured or Unfigured Bass.
7. Range in written pitch. Range is given only for the Oboe, Oboe d'amore, and English horn.
8. Comments, if suitable or necessary.

Note: Cantata numbers in parenthesis are included as they are found in the Bach Werke but are unsuited for the instrument or instruments named. Alternate solutions are given in the comment section.

- Continuo -

The word "Continuo" refers to the keyboard instrument (organ, harpsichord, cembalo which must realize the figured or unfigured bass (except in the rare cases in which a realized bass is inappropriate) and the reinforcing bass instrument (Violoncello, bassoon, bass violin).

In the arias which employ only solo instruments and continuo, a single reinforcing instrument is suitable whereas in the case of the use of a string section, several bass instruments may be used.

Table of Contents

1. Legend

2. Arias for Soprano

3. Arias for Alto

4. Arias for Tenor

5. Arias for Bass

6. Duets for Soprano and Alto

7. Duet for Soprano and Tenor

8. Duets for Soprano and Bass

9. Duets for Alto and Tenor

10. Duets for Tenor and Bass

ARIAS FOR SOPRANO

Arias for Soprano, Oboe, and Continuo

1. Christmas Oratorio, Part IV
New Year's Day, 1734
No. 4. "Flösst mein Heiland, flösst dein Namen"
B.W. V2 pp. 153-157
Oboe Solo, Soprano, Echo, Organo e Continuo (Pizzicato)
Figured Bass
Range - c' - c'''
Second soprano necessary for echo.

2. Cantata 98 - "Was Gott thut, das ist wholgethan"
Trinity XXI, c. 1732
No. 3. "Hors, ihr Augem, auf zu weinen"
B.W. XXII pp. 242-245
Oboe I Solo, Soprano, Continuo
Unfigured
Range - c' - bb''

3. Cantata 187 - "Es wartet Alles auf dich"
Trinity VII, 1732
No. 5. "Gott versorget alles Leben"
B.W. XXXVII pp. 187-190
Oboe Solo, Soprano, Continuo
Figured Bass
Range - c' - bb''

4. Cantata 89 - "Was soll ich aus dir machen, Ephraim?"
Trinity XXII, c. 1730
No. 5. "Gerechter Gott, ach, rechnest due?"
B.W. XXI pp. 192-193
Oboe, Soprano, Continuo
Figured Bass
Range - c' - bb''

5. Cantata 93 - "Wer nur den lieben Gott lässt walten"
Trinity V, 1728
No. 6. "Ich will aur den Herren schau'n"
B.W. XXII pp. 91-93
Oboe I, Soprano, Continuo
Figured Bass
Range - d' - d'''

6. Cantata 202 - "Weichet nur, betrübte Schatten"
Wedding, 1717-22
No. 7. "Sich uben im Lieben"
B.W. XI2 pp. 85-88
Oboe, Soprano, Continuo
Unfigured
Range - d' - b''

7. Cantata 21- "Ich haste viel Bekummerniss"
Trinity III, 1714
No. 3. "Seufzer, Thranen, Kummer, Noth"
B.W. V pp. 13-14
Oboe, Soprano, Organo e Continuo
Figured Bass
Range - c' - bb''

8. Cantata 199 - "Mein Herze schwimmit im Blut"
Trinity XI, 1714
No. 2. "Stumme Seufzer, stille Klagen"
Not included in B.W. but in Neuen Bachgesellschaft XIII3
Oboe, Soprano, Continuo
Figured Bass
Range - b' - ab''
Also exists in d minor - Range - c#' - bb''

9. Mass in F
c. 1736
No. 4. "Qui tollis peccata mundi"
B.W. VIII pp.35-38
Oboe Solo, Soprano, Continuo
Unfigured
Range - d' - d'''
See Cantata 102, Alto aria No. 3, "Weh, der Seele, die den Schaden nicht nehr Kennt". The oboe solo is the same as "Qui tollit" but one step down; voice line substantially the same; bass (figured) quite dffferent.

Aria for Soprano, Oboe, Violin, and Continuo

1. Cantata 84 - "Ich bin vergnügt in meinem Glücke"
Septuagesima, 1731-2
No. 3. "Ich esse mit Freuden mein Weniges Brot"
B.W. XX pp. 90-96
Oboe, Violino (Solo), Soprano, Continuo
Unfigured Range - d' - d'''

Aria for Soprano, Oboe, Violin, Violoncello piccolo and Continuo

1. Cantata 68 - "Also hat Gott die Welt geliebt"
Whit-Monday, 1735
No. 2. "Mein gläubiges Herze, frohlocke, sing' scherze"
B.W. XVI pp. 258-264
Oboe I, Violin I, Soprano, Violoncello piccolo, Continuo
Figured Bass
Range - c' - b''
Oboe I and Violin I appear at the end of the aria in an instrumental section without the voice. Only the Violoncello and continuo begin the aria and appear with the voice.

Arias for Soprano, Oboe, Strings, and Continuo

1. Cantata 32 - "Liebster Jesu, mein Verlangen"
Epiphany I, c. 1740
No. 1. "Liebster Jesu, mein Verlangen"
B.W. VII pp. 55-60
Oboe, Violino I, Violino II, Viola, Soprano, Continuo
Unfigured
Range - d#' - c'''

2. Cantata 193 - "Ihr Pforten zu zion"
Inauguration of the Civic Council, c. 1740
No. 3. "Gott, wir danken deiner Güte"
B.W. XLI pp. 102-105
Oboe I, Violino I, Violino II, Viola, Soprano
Unfigured (No Continuo)
Range - d' - b''
Little independent material for Oboe, mostly doubles Violino I

3. Cantata 132 - "Bereitet die Wege"
Advent IV, 1715
No. 1. "Bereitet die Wege"
B.W. XXVIII pp.35-41
1 Hautbois, 2 Violini, 1 Viola, Violoncello, Soprano, Col Basso per l'Organo
Unfigured
Range - b' - b''
Whitaker suggest "cello" line written for bassoon. Oboe part written in soprano clef, often playing same as Violino I

4. Cantata 29 - "Wir danken dir, Gott, wir danken dir"
Inauguration of the Civic Council, 1731
No. 5. "Gedenk' an uns mit deiner Liebe"
BW. V pp. 307-311
Oboe, Violino I, Violino II, Viola, Soprano, Organo, Continuo
Organo Figured
Range - c# - a''
Very little independent Oboe music, either unison with Violino I or Soprano.

5. Cantata 84 - "Ich bin vergnügt mit meiner Glucke"
Septuagesima, 1731-2
No. 1. "Ich bin vergnügt mit meiner Glucke"
B.W. XXI pp. 79-88
Oboe, Violino 1, Violino II, Viola, Soprano, Continuo
Unfigured
Range - d#' - c'''

6. Cantata 72 - "Alles nur nach Gottes Willen"
Epiphany III, c. 1725
No. 4. "Mein Jesus will es thun"
B.W. XVIII pp. 78-83
Oboe 1, Violino 1, Violino II, Viola, Soprano, Continuo
Figured Bass
Range - c' - b''

7. Cantata 105 - "Herr, gehe nicht ins Gericht"
Trinity IX, c. 1725
No. 3. "Wie zittern und wanken der Sünder Gedanken"
B.W. XXIII pp. 131-135
Oboe, Violino I, Violino II, Soprano, Viola
Unfigured (No Continuo)
Range - c' - c'''

8. Cantata 202 - "Weichet nur, betrübte Schatten"
Wedding, 1717-22
No. 1. "Weichet nur, betrübte Schatten"
B.W. XI, pp. 75-79
Oboe, Violino 1, Violino II, Viola, Soprano, Continuo
Figured Bass
Range - d' - b''

9. Cantata 31 - "Der Himmel lacht, die Erde jubilieret"
Easter Day, 1715
No. 8. "Letzte Stunde, brich herein"
B.W. VII pp. 4449
Oboe I Violino I and II, Viola I and II, Soprano, Violoncello II e Continuo (Violoncello pizzicato)
Figured Bass
Range - b' - a''

Aria for Soprano, Two Flutes, Oboe, Strings, and Continuo

1. Cantata 127 - "Herr Jesu Christ, wahr'r Mensch und Gott"
Quinquagesima, c. 1740
No. 3. "Die Seele ruht in Jesu Händen"
B.W. XXVI pp. 147-153
Flute I, Flute II, Oboe I, Violino I, Violino II, Viola, Soprano, Continuo (pizzicato)
Unfgured
Range - c' - d'''

Aria for Soprano, Two Flutes (Unison), Oboe, Unison Upper Strings

1. Cantata II - "Lobet Gott in seinen Reichen"
Ascension Day, c. 1736
No. 10. "Jesu, deine Gnaden-Blicke kann ich doch bestandig sehn"
B.W. II pp. 35-39
Flauto traverso I. II., Oboe I, Soprano, Violini e Viola
Unfigured (no continuo)
Range - d' - b''

Arias for Soprano, Two Oboes, and Continuo

1. Cantata 85 - "Ich bin ein guter Hirt"
Easter II, 1735
No. 3. (Choral) "Der Herr ist mein getreuer Hirt"
B.W. XX1 pp. 110-113
Oboe I, Oboe II, Soprano, Continuo
Unfigured
Range - c' - c'''

2. Cantata 97 - "In allen meinen Thaten"
Occasion not specified, 1734
No. 8. "Ihm hab' ich mich ergeben zu sterben und zu leben"
B.W. XXII pp. 225-229
Oboe I Oboe II, Soprano, Organo e Continuo
Figured Bass
Range - c' - c'''

3. Cantata 204 - "Ich bin in mir vergnügt"
Wedding, c. 1730
No. 2. "Ruhig und in sich zufreiden ist der grosste Schatz der Welt"
B.W. XI2 pp. 106-111
Oboe I, Oboe II, Soprano, Continuo
Unfigured
Range - c' - c'''

4. Cantata 77 - "Du Sollst Gott, deinen Herren, lieben"
Trinity XIII, c. 1725
No. 3. "Mein Gott ich liebe dich"
B.W. XVIII pp. 2i6-250
(Oboe I), (Oboe II), Soprano, Continuo
Unfigured
Range - c' - c'''
Whittaker, The Cantatas of J.S. Bach, Vol. I p. 648, "The character of the two upper lines of the soprano aria, moving mostly in parallel thirds and sixths, significant of blissful content suggests that oboes are intended."

Arias for Soprano, Three Oboes, and Continuo

1. Cantata 41 - "Jesu, nun sei gepreiset"
New Year's Day, 1736
No. 2. "Lass uns, o höchster Gott, das Jahr vollbringen, damit das Ende so, wie dessen Anfang sei!"
B.W. X pp. 48-52
Oboe I, Oboe II, Oboe III, Soprano, Organo e Continuo
Unfigured
Range - c' - c'''

2. Cantata 52 - "Falsche Welt, dir trau' ich nicht"
Trinity XXIII, c. 1730
No. 5. "Ich halt es mit dem lieben Gott"
B.W. XII2 pp. 44-49
Oboe I, Oboe II, Oboe III, Soprano, Fagotto, Organo e Continuo
Unfigured
Range - c' - c'''

Aria for Soprano, Two Oboes, English Horn, Strings, and Continuo

1. Cantata 28 - "Gott lob! nun geht das Jahr zu Ende"
Sunday after Christmas, c. 1736
No. 1. "Gott lob! nun geht das Jahr zu Ende"
B.W. V pp. 247-257
Oboe I Oboe II, Taille, Violino I, Violino II, Viola, Soprano, Continuo
Unfigured
Range - c' - b'' (Oboes) c' - a'' (English Horn)

Arias for Soprano, Oboe d'amore, and Continuo

1. Cantata 94 - "Was frag' ich nach der Welt"
Trinity IX, 1735
No. 7. "Es halt' es mit der blinder Welt"
B.W. XXII pp. 124-127
Oboe d'amore solo, Soprano, Continuo
Unfigured
Range (Written pitch) - d' - d'''

2. Cantata 144 - "Nimm, was dein ist"
Septuagesima, c.1725
No. 5. "Genüg samkeit ist ein Schatz in diesem Leben"
B.W. XXX pp. 88-91
Oboe d'amore, Soprano, Continuo
Unfigured
Range - c' - c'''

3. Cantata 75 - "Die Elenden sollen essen"
Trinity I, 1723
No. 5. "Ich nehme mein Leiden mit Freuden auf mein"
B.W. XVIII pp. 167-170
Oboe d'amore, Soprano, Continuo
Unfigured
Range - eb' - c'''

4. Magnificat in D
1723
No. 3. "Quia respexit humilitatem"
B.W. XI pp. 25-26
Oboe d'amore I, Soprano I, Organo e Continuo
Unfigured
Range - c' - c'''

5. Cantata 95 - "Christus, der ist mein Leben"
Trmity XVI, 1732
No. 6. (Recitative and Choral) "Valet will ich dir geben"
B.W. XXII pp. 142-144
Oboe d'amore I. II., Soprano, Continuo
Figured Bass
Range - c' - c'''
Written for two Oboes d'amore in unison but suitable for one Oboe d'amore.

Aria for Soprano, Oboe d'amore, Violin, and Continuo

1. Cantata 210 - "O Holder Tag"
Wedding, 1746
No. 4 "Ruhet hie, matte Töne"
B.W. XXIX pp. 76-81
Oboe d'amore, Violino, Soprano, Continuo
Figured Bass
Range - c' - c'''

Aria for Soprano, Oboe d'amore, Violoncello piccolo and Continuo

1. Cantata 49 - "Ich geh' und suche mit verlangen"
Trinity XX, 1731
No. 4. "Ich bin herrlich, Ich bin schon"
B.W. X pp. 322-328
Oboe d'amore, Violoncello piccolo, Soprano, Organo e Continuo
Unfigured
Range - d' - d'''

Aria for Soprano, Oboe d'amore, Violins, and Continuo

1. Cantata 210 - "O Holder Tag"
Wedding, 1746
No. 8. "Grosser Gonner, dein Vergnugen muss auch unsern Klang besieger"
B.W. XXIX pp. 88-90
Oboe d'amore, Violino I, Violino II, Soprano,
Continuo
Figured Bass
Range - d' - c'''

Arias for Soprano, Oboe d'amore, Strings, and Continuo

1. Cantata 92 - "Ich hab' in Gottes Herz und Sinn"
Septuagesima, c. 1740
No. 8. "Meinem Hirten bleib' ich treu"
B W. XXII pp. 64-67
Oboe d'amore I, Violino I, Violino II, Viola, Soprano, Continuo (pizz)
Unfigured
Range - c' - d'''

2. Christmas Oratorio, Part VI
Epiphany, 1735
No. 4. "Nur ein Wink von seinen Händen stürzt"
B.W. V2 pp. 238-243
Oboe d'amore, Violino I, Violino II, Viola, Soprano, Organo e Continuo
Figured Bass
Range - c' - d'''
Little independence, mostly doubles Violino I

Aria for Soprano, Flute, Oboe d'amore, Strings and Continuo

1. Cantata 210 - "O Holder Tag"
Wedding 1746
No. 10. "Seid beglückt, edle Beide"
B.W. XXIX pp. 92-98
Flauto traverso, Oboe d'amore, Violino I, Violino II, Viola, Soprano, Continuo
Figured Bass
Range - c' - d'''

Arias for Soprano, Two Oboes d'amore, and Continuo

1. Cantata 107 - "Was willst du dich betrüben"
Trinity VII, c. 1735
No.5. "Er richt't's zu seinen Ehren"
B.W. XXIII pp. 194-197
Oboe d'amore I, Oboe d'amore II, Soprano, Organo e Continuo
Unfigured
Range - d' - c'''

2. Cantata 95 - "Christus, der ist mein Leben"
Trinity XVI, 1732
No 6. (Recitative and Choral) "Valet will ich dir geben"
B.W. XXII pp. 142-144
Oboe d'amore I. II., Soprano, Continuo
Figured Bass
Range - c' - c'''
Oboes d'amore in unison

3. St. Matthew Passion
1729
No. 19. "Ich will dir mein Herze schenken"
B.W IV pp. 47-49
Oboe d'amore I, Oboe d'amore II, Soprano, Organo e Continuo
Figured Bass
Range - c' - c'''

4. Cantata 19 - "Es erhub sich ein Streit"
St. Michael, 1726
No.3. "Gott schickt uns Mahanaim zu"
B.W. II pp. 273-277
Oboe d'amore I, Oboe d'amore II, Soprano, Continuo
Figured Bass
Range - c' - d'''

Aria for Soprano, Flute, Two Oboes d'amore, and Continuo

1. Cantata 146 (Authentic?) - "Wir müssen durch viel Trübsal"
Easter III, c.1740
No.5. "Ich säe meine Zähren"
B.W. XXX pp.168-176
Flauto traverso, Oboe d'amore I, Oboe d'amore II, Soprano, Continuo
Unfigured
Range - c' - d'''

Arias for Soprano, English Horn and Continuo

1. Cantata 1 - "Wie schön leuchtet der Morgenstern"
Annunciation B.V.M., c. 1740
No.3. "Erfüllet, ihr himmlischen göttlichen Flammen"
Oboe di caccia, Soprano, Continuo (pizzicato)
Unfigured
Rannge (written pitch) - c' - c'''

2. Cantata 74 - "Wer mich liebet, der wird mein Wort halten"
Whit Sunday, 1735
No 2. "Komm, komm, mein Herze steht dir offen"
B.W. XVIII pp. 124-126
Oboe da caccia, Soprano, Continuo
Figured Bass
Range - d' - c'''

3. Cantata 177 - "Ich ruf zu dir, Herr Jesu Christ"
Trinity IV, 1732
No.3. "Verleih', dass ich aus Herzens Grund mein'n Feinden mog' vergeben"
B.W. XXXV pp. 222-226
Oboe da caccia, Soprano, Continuo
Figureed Bass
Range - c' - c'''

Aria for Soprano, English Horn, Strings, and Continuo

1. Cantata 183 - "Sie werden euch in den Bann thun"
Sunday after Ascension Day, 1735
No. 4. "Hochster Troster heil'ger Geist"
B.W. XXXVII pp. 67-73
Oboe da caccia I.II., Violino I, Violino I, Viola, Soprano, Continuo
Unfigured
Range - d' - c'''
Written for two Oboes da caccia in unison, but suitable for one Oboe da caccia.

Aria for Soprano, Two English Horns, and Continuo

1. Cantata 179 - "Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei"
Trinity XI, 1724
No. 5. "Liebster Gott, erbarme dich"
B.W. XXXV pp. 287-291
Oboe da caccia II, Oboe da caccia II, Soprano, Continuo
Unfigured
Range - c' - a'''

Aria for Soprano, Two Flutes (Unison), Two English Horns (Unison), and Continuo

1. St. John Passion
1723
No. 63. "Zerflisse, mein Herze, in Fluten der Zähren"
B.W. XII pp. 114-119
Flauto traverso I. II., Oboe da caccia I. II., Soprano Solo, Organo e Continuo
Figured Bass Range - c' - ab'''

Aria for Soprano, Two English Horns (Unison), Strings, and Continuo

1. Cantata 183 - "Sie werden euch in den Bann thun"
Sunday after Ascension Day, 1735
No. 4. "Hochster Troster heil'ger Geist"
B.W. XXXVII pp. 67-73
Oboe da caccia I. II., Violino I, Violino II, Viola, Soprano, Continuo
Unfigured
Range - d' - c'''

Aria for Soprano, Solo Flute, and Two English Horns

1. St. Matthew Passion
1729
No. 58. "Aus Liebe will mein Heiland sterben"
B.W. IV pp. 194-197
Flauto traverso, Oboe da caccia I, Oboe da caccia II, Soprano
Unfigured (no continuo)
Range - c' - b''
Note Recitative immediately preceding this aria (B.W. IV p. 193) for Oboe da caccia I, Oboe da caccia II, Soprano, Organo e Continuo (Figured Bass).

ARIAS FOR ALTO

Arias for Alto, Oboe, and Continuo

1. Cantata 48 - "Ich Blender mensch, wer wird mich erlösen"
Trinity XIX, c. 1740
No. 4. "Ach lege das Sodom der sundlichen Glieder"
B.W. X pp. 289-291
Oboe Solo, Alto, Continuo
Upfigured
Range - c' - c'''

2. Cantata 79 - "Gott der Herr ist Sonn' und Schild"
Reformation Festival (Oct. 31), 1735
No. 2. "Gott ist unser Sonn' und Schild"
B.W. XVIII pp 305-307
Oboe Solo (ossia Flauto traverso), Alto, Continuo
Unfigured
Range - d' - b'''

3. Cantata 102 - "Herr, deine Augen sehen nach dem Glauben"
Trinity X, 1731
No. 3. "Weh, der Seele, die den Schaden nicht nehr kennt"
B.W. XXIII pp. 51-54
Oboe, Alto, Continuo
Figured Bass
Range - c' - c'''
See also Soprano aria No. 4. "Qui tollis peccata mundi" from Mass in F, B.W. VIII pp. 35-38

4. Cantata 44 - "Sie werden euch in den Ban thun"
Sunday after Ascension Day, c. 1725
No. 3. "Christen müssen auf der Erden"
B.W. X pp. 140- 142
Oboe I, Alto, Fagotto e Continuo
Unfigured
Range - c' - c'''

5. Cantata 12 - "Weinen, Klagen, Sorgen, Zagen"
Easter III (Jubilate), 1724-5
No.4. "Kreuz und Krone sind verbunden"
B.W.II pp. 70-73
Oboe, Alto, Continuo
Unfigured
Range - c' - bb'''

6. Cantata 22 - "Jesus nahm zu sich die Zwölfe"
Quinquagesima, 1723
No. 2. "Mein Jesu, ziehe mich nach dir, ich bin bereft"
B.W. V pp. 78-81
Oboe Solo, Alto, Continuo
Unfigured
Range - c' - c'''

7. (Cantata 193) - "Ihr Pforten zu Zion"
Inauguration of the Civic Council, c. 1740
No. 5. "Sende, Herr, den Segen ein"
B.W. XLI pp. 106-108
Oboe I, Alto, Continuo
Continuo missing
Range - a - a''
Out of range for Oboe. Either should be done in the key of Bb instead of G or is meant to be played on Oboe d'amore.

8. (Tonet ihr Pauken)
Birthday of the Queen-Electress Maria Josepha of Austria, Dec. 8, 1733
No. 5. "Fromme Musen! Meine Glieder"
B.W. XXXIV pp. 216-220
Oboe I. II., Alto, Continuo
Unfigured
Range - a - g#''
Written for two Oboes but out of range. Possibly for Oboe d'amore.

9. Cantata 176 - "Es ist ein trotzig und verzagt Ding"
Trinity Sunday, 1735
No. 5. "Ermuntert euch, furchtsam' und schüchterne Sinne"
B.W. XXXV pp. 195-197
Oboe I. il., Oboe da caccia (all 'unisono), Alto, Continuo
Figured Bass
Range - c' - f' (Oboes), g' - c'' (English Horn)
Suitable for one Oboe

Arias for Alto, Oboe, Violin, and Continuo

1. Cantata 39 - "Brich dem Hungrigen dein brot"
Trinity I, 1732
No. 3. "Seinem Schöpfer noch auf Erden nur im Schattein ahnlich werden ist im Vorschmack selig sein"
B.W. VII pp. 336-339
Violino Solo, Oboe I, Alto, Continuo
Figured Bass
Range - c' - c'''

2. Cantata 69 - "Lobe den Herrn, meine Seele"
Trinity XII, 1724-30
No. 3. "Meine Seele, auf er zahle"
B.W. XVI pp. 312-316
Oboe, Violino I, Alto, Fagotto e Continuo
Unfigured
Range - d' - a''

3. Cantata 156 - "Ich steh' mit einem Fuss im Graben"
Epiphany III, 1729-30
No. 4. "Herr, was du willst sol mir gefallen"
B.W. XXXII pp. 107-113
Oboe, Violini, Alto, Continuo
Unfigured
Range - c' - d'''
Suitable for one Violin instead of section.

Arias for Alto, Oboe, Unison Violins, and Continuo

1. Cantata 156 - "Ich steh' mit einem Fuss im Graben"
Epiphany III, 1729-30
No. 4. "Herr, was du willst sol mir gefallen"
B.W. XXXII pp. 107- 113
Oboe, Violini, Alto, Continuo
Unfigured
Range - c' - d'''

2. (Cantata 69) - "Lobe den Herrn, meine Seele"
Trinity XII, 1724-30
No. 3. "Meine Seele, auf er zahle"
B.W. XVI pp. 312-316
Oboe, Violino I, Alto, Fagotto e Continuo
Unfigured
Range - d' - a''
Suitable for Unison Violins.

Arias for Alto, Oboe, Strings, and Continuo

1. Mass in g minor
c. 1737
No.4. "Domine Fili unigenite"
B.W. VIII pp. 130-137
Oboe, Violino I, Violino II, Viola, Alto, Continuo
Figured Bass
Range - c' - c'''
Little independent music for Oboe.

2. (Cantata 185) - "Barmherziges Herze der ewiger Liebe"
Trinity IV, 1715
No. 3. "Sei bemuht in dieser Zeit"
B.W. XXXVII pp. 110-114
Oboe, Violino I, Violino II, Viola, Alto, Fagotto, Continuo
Figured Bass
Range - b - b''
Quite awkward for Oboe, probably for Oboe d'amore.

3. Cantata 114 - "Ach lieben Christen, seid getrost"
Trinity XVII, c. 171O
No.5 "Du machst, o Tod, mir nun nicht ferner bange"
B.W. XXIV pp. 103-107
Oboe I, Violino I, Violino II, Viola, Alto, Continuo
Figured Bass
Range - c' - ab''

Arias for Alto, Two Oboes, and Continuo

1. Cantata 43 - "Gott fähret auf mit Jauchzen"
Ascension Day, c. 1735
No.9. "Ich sehe schon im Geist, wie er zu Gott Rechten auf seine Feinde schmeisst"
B.W. X pp. 120-125
Oboe I, Oboe II, Alto, Continuo
Figured Bass
Range - c'd'''

2. (Tonet, ihr Pauken)
Birthday of Queen-Electress Maria Josepha of Austria, Dec. 8, 1733
No.5. "Fromme Musen! Meine Glieder"
B.W. XXXIV pp. 216-220
Oboe I. II., Alto, Continuo
Unfigured
Range - a - g#''
Out of range for Oboes; suitable for Oboes d'amore.

3. Cantata 109 - "Ich glaube, lieber Herr"
Trinity XXI, c. 1731
No.5. "Der Heiland kennet ja die Seinen"
B.W. XXIII pp. 250-254
Oboe I, Oboe II, Alto, Continuo
Figured Bass
Range - c' - c'''

4. Cantata 174 - "Ich liebe den Höchsten von ganzem Gemüthe"
Whit-Monday, 1729
No.2. "Ich liebe den Höchsten von ganzem"
B.W. XXXV pp. 145-150
Oboe I, Oboe II, Alto, Continuo
Figured Bass
Range - d' - b''

5. St. John Passion
1723
No.11. "Von den Strikken meiner Sunden mich zu ent binden"
B.W.XII1 pp.19-24
Oboe I, Oboe II, Alto, Organo e Continuo
Figured Bass
Range - c' - b''

Aria for Alto, Two Oboes, Bassoon, Strings, Continuo

1. Cantata 42 - "Am Abend aber desselbigen Sabbaths"
Easter I, 1731
No.3. "Wo Zwei und Drei versammlet sind in Jesu theurem Namen"
B.W. X pp. 72-81
Oboe I, Oboe II, Fagotto, Violino I, Violino II, Viola, Alto, Organo e Continuo
Figured Bass
Range - d' - c'''

Aria for Alto, Three Oboes, and Continuo

1. Cantata 148 - "Bringet dem Herrn Ehre seines Namens"
Trinity XVII, c. 1725
No.4. "Mund und Herze steht dir offen"
B.W. XXX pp. 255-259
Oboe I, Oboe II, Oboe III, Alto, Continuo
Unfigured
Range - b - a''
Strange range with many c#'s and b's

Aria for Alto, Two Oboes and English Horn, and Continuo

1. Cantata 176 - "Es ist ein trotzig und verzagt Ding"
Trinity Sunday, 1735
No. 5. "Ermuntest euch, furchtsam' und schüchterne sinne"
B.W. XXXV pp. 195-197
Oboe I, II., Oboe da caccia (all' unisono), Alto, Continuo
Figured Bass
Range - c' - f'' (Oboes), g' - c'' (English Horn)
Suitable for 1, 2, or 3 Oboes, or 1 Oboe and English Horn

Arias for Alto, Oboe d'amore and Continuo

Cantata 116 - "Du Friedefürst, Herr Jesu Christ"
Trinity XXV, 1744
No. 2. "Auch, un aus sprechlich"
B.W. XXIV pp.147-150
Oboe d'amore Solo, Alto, Continuo
Figured Bass
Range - d#' - d'''

2. Cantata 110 - "Unser Mund sei voll Lachens"
Christmas Day, post 1734
No. 4. "Ach Herr! was ist ein Menschenkind"
B.W. XXIII pp. 310-313
Oboe (d'amore) Solo, Alto, Organo e Continuo
Unfigured
Range - c' - c''

3. Cantata 213 - "Die wahl des Herkules"
Birthday of Crown-Prince of Saxony, 1733
No. 5. "Treues Echo dieser Orten"
B.W. XXXIV pp. 141-146
Oboe d'amore, Hercules (Alto), Echo, Continuo (pizzicato)
Unfigured
Range - c' - b''
Two Altos necessary

4. Cantata 129 - "Gelobet sei der Herr, mein Gott"
Trinity Sunday, 1732
No.4. "Gebobet sei der Herr, mein Gott, der ewig lebet"
B.W. XXVI pp. 219-223
Oboe d'amore, Alto, Continuo
Figured Bass
Range - c' - d'''

5. Cantata 112 - "Der Herr ist meim getreuer Hirt"
Easter II, 1731
No. 2. "Zum reinen Wasser er mich weist"
B.W. XXIV pp. 37-40
Oboe d'amore Solo, Alto, Continuo
Figured Bass
Range - c' - c'''

6. Cantata 136 - "Erforsche mich, Gott, und erfahre mein Herz"
Trinity VIII, c. 1725
No. 3. "Es kommt ein Tag"
B.W. XXVIII pp.153-156
Oboe d'amore, Alto, Continuo
Figured Bass
Range - c' - b'' (Transposed)

7. Cantata 205 - "Der zufrieden gestellte Aeolus"
Name day of Professor Müller, Aug. 3, 1725
No. 7. "Können nicht die rothen Wangen"
B.W. XI2 pp. 186-188
Oboe d'amore, Pomona (alto), Continuo
Unfigured
Range - c' - c'''

8. Cantata 64 - "Sehet, welch' eine Liebe hat uns der Vater erzeiget"
Christmas Third Day, 1723
No. 7. "Von der Welt verland' ich nichts"
B.W. XVI pp. 128-131
Oboe d'amore, Alto, Organo e Continuo
Unfigured
Range - c' - c'''

9. Cantata 147 - "Herz und Mund und Tat und Leben"
Visitation B.V.M., 1716 and 1727
No. 3. "Schäme dich, o Seele, nicht"
B.W. XXX pp. 205-208
Oboe d'amore, Alto, Continuo
Figured Bass
Range - c' - bb'' (Transposed)

10. (Tonet, ihr Pauken)
Birthday of Queen-Electress Maria Josepha of Austria, Dec. 8, 1733
No. 5. "Fromme Musen! Meine Glieder"
B.W. XXXIV pp. 216-220
Oboe I. II., Alto, Continuo
Unfigured
Range c' - b'' (Oboe d'amore)
Written for two Oboes but out of range.

Aria for Alto, Flute, Oboe d'amore, and Continuo

1. Cantata 125 - "Mit Fried' und Freud' ich fahr' dahin"
Purification B.V.M., c. 1740
No. 2. "Ich will auch mit bebroch'nen Augen nach dir"
B.W. XXVI pp. 94-100
Flauto traverso, Oboe d'amore, Alto, Continuo
Upfigured
Range - c' - d'''

Aria for Alto, Oboe d'amore, Viola da Gamba, and Continuo

1. Cantata 76 - "Die Himmel erzählen die Ehre Gottes"
Trinity II, 1723
No. 12. "Liebt, ihr Christen, in der That"
B.W. XVIII pp. 227-229
Oboe d'amore, Viola da gamba, Alto, Continuo
Unfigured
Range - c' - c''' (Transposed)

Aria for Alto, Oboe d'amore, Violins, and Continuo

1. Christmas Oratorio, Part I
Christmas Day, 1734
No. 4. "Bereite dich, Zion, mit zärtlichen Trieben den Schönsten"
B.W. V2 pp. 32-35
Oboe d'amore I, Violino I, Alto, Fagotto, Organo e Continuo
Figured Bass
Range bb c'''
Unison with Violins - Two low bb's may be omitted.

Aria for Alto, Oboe d'amore, Violins and Violas in Unison, and Continuo

1. Cantata 151 - "Nach dir, Herr, verlanget mich"
Christmas Third Day, 1735-40
No. 3. "In Jesu Demuth kann ich Trost"
B.W. XXXII pp. 10-15
Oboe d'amore, Violino I. II., Viola, Alto, Continuo
Unfigured
Range - c' - g''
Oboe d'amore often in unison with Violins and Violas.

Arias for Alto, Oboe d'amore, Strings, and Continuo

1. Mass in b minor
1733
No. 9. "Qui sedes and dextram Patris"
B W. VI pp. 112-117
Oboe d'amore, Violino I, Violino II, Viola, Alto, Continuo
Figured Bass
Range - d' - c'''

2. Cantata 115 - "Mach dich, mein Geist, bereit"
Trinity XXII, c. 1740
No. 2. "Ach, schläfrige Seele, wie"
B.W. XXIV pp. 123-127
Oboe d'amore, Violino I, Violino II, Viola, Alto, Continuo
Figured Bass
Range - c' - eb'''
Often in unison with Violino I

3. Cantata 197 - "Gott ist uns're Zuversicht"
Wedding, 1737
No. 3. "Schläfert aller Sorgen Kummer in den Schlummer"
B.W. XIII1 pp. 118-126
Oboe d'amore, Violino 1, Violino II, Viola, Alto, Continuo
Unfigured
Range - c' - c'''

4. Easter Oratorio
Easter Day, 1736
No. 9. "Saget mir geschwinde"
B.W. XXI3 pp. 52-58
Oboe d'amore I, Violino I, Violino II, Viola, Alto, Fagotto e Continuo
Unfigured
Range - c' - d'''

5. Cantata 151 - "Süssen Trost, mein Jesus kommt"
Christmas Third Day, 1735-40
No. 3. "In Jesu Demuth kann ich Trost"
B.W. XXXII pp. 10-15
Oboe d'amore, Violino I. II., Viola, Alto, Continuo
Unfigured
Range - c' - g''
Violins and Violas are in unison and Oboe d'amore often with them.

6. Cantata 185 - "Barmherziges Herze der ewigen Liebe"
Trinity IV, 1715
No. 3. "Sei bemüht in dieser Zeit"
B.W. XXXVII pp. 110-114
Oboe, Violino I, Violino II, Viola, Alto, Fagotto, Continuo
Figured Bass
Range - d' - d'''
Written for Oboe but quite awkward; better for Oboe d'amore.

Arias for Alto, Two Oboes d'amore, and Continuo

1. Cantata 133 - "Ich freue mich in dir"
Christmas Third Day, 1735-7
No. 2. "Getrost, es fasst ein heil'ger Leib das Höchsten unbegreiflich's Wesen"
B.W. XXVIII pp. 66-72
Oboe d'amore I, Oboe d'amore II, Alto, Continuo
Figured Bass
Range - c' - c'''

2. Cantata 206 - "Schleicht, spielende Wellen!"
Birthtday, October 7, 1734
No. 7. "Reis, von Hapsburgs hohem Stamme"
B.W. XX2 pp.41-46
Oboe d'amore I, Oboe d'amore II, Donau (alto), Continuo
Figured Bass
Range - c' - c'''

3. (Tonet, ihr Pauken)
Birthday of Queen-Electress Maria Josepha of Austria, Dec. 8, 1733
No.5. "Fromme Musen! Meine Glieder"
B.W. XXXIV pp. 216-220
Oboe I. II., Alto, Continuo
Unfigured
Range - c' - b'' (Oboe d'amore)
Written for Two Oboes but out of range.

Aria for Alto, Two Oboes d'amore, Strings, and Continuo

1. Cantata 120 - "Gott, man lobet dich in der Stille"
Inauguration of the Civic Council, 1730
No. 1. "Gott, man lobet dich in der Stille zu Zion"
B.W. XXIV pp. 249-263
Oboe d'amore I, Oboe d'amore II, Violino I, Violino II, Viola, Alto, Continuo
Unfigured
Range - c' - b''

Aria for Alto, Two Oboes d'amore, Unison Strings, and Cembalo

1. Cantata 154 - "Mein liebster Jesus ist verloren"
Epiphany 1, 1724
No. 4. "Jesu, lass dich finden"
B.W. XXXII pp. 66-72
Oboe d'amore I, Oboe d'amore II, Alto, Violini I, II e Viola, Cembalo
Figured Bass
Range - d' - c'''
No Violoncello or Continuo in the normal sense. The unison strings provide the bass line.

Aria for Alto, English Horn, and Continuo

1. Cantata 6 - "Bleib' bei uns, denn es will Abend werden"
Easter Monday, 1736
No. 2. "Hochgelobster Gottes Sohn"
B.W. I pp. 165-167
Oboe di caccia, Alto, Continuo (pizzicato)
Figured Bass
Range - c' - c''' (Written pitch)

Aria for Alto, English Horn, Organ Obligato, and Continuo

1. Cantata 27 - "Wer weiss, wie nahe mir mein Ende"
Trinity XVI, 1731
No. 3. "Wellkommen! will ich sagen, wenn der Tod an's Bette tritt"
B.W. V pp. 228- 236
Oboe da caccia, Alto, Organo obligato, Continuo
Unfigured
Range - c' - b''

Arias for Alto, Two English Horns, and Continuo

1. Cantata 87 - "Bisher habt ihr nichts gebeten in meinem Namen"
Easter V, 1735
No. 3. "Vergieb, o Vater, vergieb uns're Schuld"
B.W. XX1 pp. 140-144
Oboe da caccia I, Oboe da caccia II, Alto, Continuo
Partially figured bass
Range - c' - bb''

2. St. Matthew Passion
1729
No. 70. "Sehet, Jesus hat die Hand"
B W. IV pp. 234-245
Oboe da caccia I, Oboe da caccia II, Alto, Organo e continuo
Figured Bass
Range - c' - bb''
See No. 69. (Recitative) "Ach Golgatha, unsel'ges Golgatha" B.W. IV pp. 233

3. Cantata 147 - "Herz und Mund und That und Leben"
Visitation B.V.M., 1727
No. 8 (Recitative) "Der höchsten Allmacht Wienderhand"
B W. XXX pp. 222-224
Oboe da caccia I, Oboe da caccia II, Alto, Continuo
Partially figured bass
Range - c' - bb''

ARIAS FOR TENOR

Arias for Tenor, Oboe, and Continuo

1. Mass in G major
c. 1738
No. 5. "Quoniam tu solus sanctus"
B.W. VIII pp.193-195
Oboe Solo, Tenore, Continuo
Unfigured
Range - c'- c'''

2. Mass in g minor
c. 1737
No. 5. "Qui tollis peccata mundi"
B.W. VIII pp. 138-141
Oboe, Tenore, Continuo
Figured Bass
Range - c' - c'''
Same Aria as Soprano Aria (No. 5. "Gott versorget alles Leben") from Cantata 187, B.W. XXII pp. 242-245

3. Cantata 73 - "Herr, wie du willt, so schick's mit mir"
Epiphany III, c. 1725
No. 2. "Ach, senke doch den Geist der Freuden"
B.W. XVIII pp. 98-100
Oboe I, Tenore, Continuo
Figured Bass
Range - c' - c'''

4. Cantata 166 - "Wo gehest du hin?"
Easter IV (Cantata), c. 1725
No. 2. "Ich will an den Himmel denken"
B.W. XXXIII pp. 110- 112
Oboe, Tenore, Continuo
Figured Bass
Range- c' - c'''

5. St. Matthew Passion
1729
No. 40. "Ich will bei meinem Jesu wachen"
B.W. IV pp. 58-76
Oboe, Tenore Solo, Organo e Continuo
(Also Flauto traverso I, Flauto traverso II, Violino I, Violino II, Viola, Soprano, Alto, Tenore, Basso, Organo e Continuo - for intermittent choruses)
Figured Bass
Range - d'- db'''
Chorus and orchestra come in several times while Oboe, Tenor and Continuo are silent. Each group has its own continuo.

Aria for Tenor, Oboe, Violin, and Continuo

1. Cantata 213 - "Die Wahl des Herkules"
Birthday, 1733
No. 7. "Auf meinen Flügeln sollst du schweben"
B.W. XXXIV pp. 147-152
Oboe I, Violino I (Solo), Tugend (Tenore), Continuo
Unfigured
Range - c' - c'''

Arias for Tenor, Flute, Oboe, Violin, and Continuo

1. Cantata 189 - "Meine Seele rühmt und preist"
Visitation B V.M., 1707-10
No. 1. "Meine Seele rühmt und preist"
B.W. XXXVII pp. 215-221
Flauto, Oboe, Violino, Tenore, Continuo
Unfigured
Range - f' - bb''

2. Cantata 189 - "Meine Seele rühmt und preist"
Visitation B.V.M., 1707-10
No. 5. "Deine Güte, dein Erbarmen"
B.W. XXXVII pp. 223-226
Flauto, Oboe, Violino, Tenore, Continuo
Unfigured
Range - f' - bb''

Arias for Tenor, Oboe, Strings, and Continuo

1. Cantata 188 - "Ich habe meine Zuversicht"
Trinity XXI, 1731
No. 1. "Ich habe meine Zuversicht"
B W. XXXVII pp. 195-200
Oboe, Violino I, Violino II, Viola, Tenore, Continuo
Unfigured
Range - c' - c'''

2. Cantata 75 - "Die Elenden sollen essen"
Trinity I, 1723
No. 3. "Mein Jesus soll mein Alles sein"
B.W. XVIII pp. 161-166
Oboe I, Violino I, Violino II, Viola, Tenore, Continuo
Unfigured
Range - d' - b''
Often doubles Violino I; some independence

Aria for Tenor, Flute, Oboe, Violins, and Continuo

1. Cantata 55 - "Ich armer Mensch"
Trinity XXII, 1731-2
No. 1. "Ich armer Mensch"
B.W. XX2 pp. 75-80
Flauto traverso, Oboe d'amore, Violino I, Violino II, Tenore, Continuo
Unfigured
Range - d' - c'''
Written for Oboe d'amore but suitable for Oboo

Aria for Tenor, Flute, Oboe, Strings, and Continue

1. Cantata 198 - "Trauer-Ode"
Funeral, 1727
No. 8. "Der Ewigkeit saphirnes Haus zicht" ;
B.W. XIII3 pp. 55-60
Flauto traverso, Oboe (d'amore), Violino I, Violino II, Viola da gamba I. II., Tenore,
Liuto I. II. e Continuo
Unfigured
Range - b - b''
Written for Oboe d'amore but suitable for Oboe

Arias for Tenor, Two Oboes, and Continuo

1. Cantata 126 - "Erhalt' uns, Herr, bei deinem Wort"
Sexagesima, c. 1740
No. 2. "Sende deine Macht von oben"
B.W. XXVI pp. 121-126
Oboe I, Oboe II, Tenore, Continuo
Figured Bass
Range - c'- d'''

2. Cantata 38 - "Aus tiefer Noth schrei ich zu dir"
Trinity XXI, c. 1740
No. 3. "Ich höre mitten in dem Leiden"
B.W. VII pp. 291-295
Oboe I, Oboe II, Tenore, Continuo
Figured Bass
Range - c' - c'''

3. Cantata 135 - "Ach Herr, mich armen Sünder"
Trinity III, c. 1740
No. 3. "Tröste mir Jesu, mein Gemüthe"
B.W. XXVIII pp. 129-132
Oboe I, Oboe II, Tenore, Continuo
Figured Bass
Range - c' - c'''

4. (Cantata 94) - "Was frag' ich nach der Welt"
Trinity IX, 1735
No. 3. (Recitative and Choral) "Die Welt sucht Ehr' und Ruhm"
B.W. XXII pp. 107-111
Oboe I, Oboe II, Tenore, Organo e Continuo
Figured Bass
Range - a - b"
Oboe I out of range, more suitable for Oboes d'amore.

5. Cantata 142 - "Uns ist ein Kind geboren"
Christmas Day, 1712-13
No. 5. "Jesu, dir sei Dank gesungen"
B.W. XXX pp. 36-37
Oboe I, Oboe II, Tenore, Continuo
Unfigured
Range - e' - a''

Aria for Tenor, Two Oboes, Two French Horns, and Continuo

1. Cantata 40 - "Dazu ist erschienen der Sohn Gottes"
Christmas Second Day, 1723
No. 7. "Christenkinder freuet euch"
B.W. VII pp. 388-393
Corno I, Corno II, Oboe I, Oboe II, Tenore, Continuo
Figured Bass
Range - c' - c'''

Arias for Tenor, Two Oboes, Strings, and Continuo

1. Cantata 134 - "Ein Herz, das seinen Jesum lebend weiss"
Easter Tuesday, 1731
No. 2. "Auf Glaübige, singet die lieblichen Lieder"
B.W. XXVIII pp. 83-90
Oboe I, Oboe II, Violino I, Violino II, Viola, Tenore, Continuo
Unfigured
Range - c' - c'''
Little independence from Violino I.

2. Cantata 141 - "Das ist je gewisslich wahr"
Advent III, 1721-22
No. 2. "Jesus ist der Menschen Heil"
B.W. XXX pp. 11-13
Oboe I, Oboe II, Violino I, Violino II, Viola, Tenore, Continuo
Unfigured
Range - d #' - b"

Aria for Tenor, Three Oboes, and Continuo

1. Cantata 91 - "Gelobet seist du, Jesu Christ"
Christmas Day, c. 1740
No. 3. "Gott, dem der Erden kreis zu klein"
B.W. XXII pp. 22-24
Oboe I, Oboe II, Oboe III, Tenore, Continuo
Figured Bass
Range - c' - d'''

Arias for Tenor, Oboe d'amore and Continuo

1. Cantata 121 - "Christum wir sollen loben schon"
Christmas Second Day, c. 1740
No. 2. "O du von Gott rehöhte Creatur"
B.W. XXVI pp. 9-12
Oboe d'amore, Tenore, Continuo
Figured Bass
Range - c' - c'''

2. (Cantata 88) - "Siehe, ich will viel Fischer aussenden"
Trinity V, 1732
No. 3. "Nein, nein! Gott ist allezeit geflissen"
B.W. XX1 pp. 166-169
Oboe d'amore I, Tenore, Continuo (Oboe d'amore II, Violino I, Violino II, Viola added at the end).
Range - c' - c'''

3. Cantata 201 - "Der Streit zwischen Phoebus und Pan"
Collegium Musicum, 1731
No. 9. "Phoebus, deine Melodei hat die anmuth selbst"
B.W. XI2 pp. 43-48
Oboe d'amore I, Tmolus (Tenore), Continuo
Figured Bass
Range - c' - e'''

4. "Schwingt freudig euch empor"
Academic occasion, 1730-34
No. 3. "Die Liebe führt mit sanften Schritten"
B.W. XXXIV pp. 72-77
(Oboe d'amore), Tenore, Continuo
Unfigured
Range - d' - c'''
See below - Cantata 36.

5. Cantata 36 - "Schwingt freudig euch empor"
Advent I, c. 1730
No. 3. "Die Liebe zieht mit sanften Schritten"
B.W. VII pp. 240-242
Oboe d'amore Solo, Tenore, Organo e Continuo
Figured Bass
Range - d' - d'''
See above - "Schwingt freudig euch empor."

6. Cantata 157 - "Ich lasse dich nicht"
Purification B.V.M., 1727
No. 2. "Ich halte meinen Jesum feste"
B.W. XXXII pp. 123-128
Oboe d'amore, Tenore, Continuo
Figured Bass
Range - c' - c'''

7. Cantata 8 - "Liebster Gott, wann werd' ich sterben?"
Trinity XVI, c. 1725
No. 2. "Was willst du dich mein Geist entsetzen"
B.W. I pp. 224-228
Oboe d'amore, Tenore, Continuo (pizzicato)
Figured Bass
Range - c' - d'''

8. Cantata 168 - "Thue Rechnung! Donnerwort"
Trinity IX, c. 1725
No. 3. "Capital und Interessen meiner Schulden gross und Klein"
B.W. XXXIII pp. 158-161
Oboe d'amore I.II., Tenore, Continuo
Figured Bass
Range - c' - c'''
Written for two Oboes d'amore in unison but suitable for one.

Arias for Tenor, Oboe d'amore, Strings, and Continuo

1. Cantata 163 - "Nur Jedem das Seine"
Trinity XXIII, 1715 (also Leipzig)
No. 2. "Nur Jedem das Seine'`
B.W. XXXIII pp. 49-52
Oboe d'amore, Violino, Viola, Violoncello, Tenore, Continuo
Figured Bass
Range - c' - eb'''

2. Cantata 124 - "Meinem Jesum lass' ich nicht"
Epiphany I, c. 1740
No. 3. "Und wenn da hart Todesschlag"
B.W. XXVI pp. 73-77
Oboe d'amore, Violino I, Violino II, Viola, Tenore, Continuo
Figured Bass
Range - c' - d'''

Aria for Tenor, Flute, Oboe d'amore, Violins, and Continuo

1. Cantata 55 - "Ich armer Mensch"
Trinity XXII, 1731-2
No. 1. "Ich armer Mensch"
B.W. XII2 pp. 75-80
Flauto traverso, Oboe d'amore, Violino I, Violino II, Tenore, Continuo
Unfigured
Range - f' - eb'''
Written for Oboe d'amore but suitable for Oboe.

Aria for Tenor, Flute, Oboe d'amore, Strings, and Continuo

1. Cantata 198 - "Trauer-Ode"
Funeral, 1727
No. 8. "Der Ewigkeit saphirnes Haus zicht"
B.W. XIII3 pp. 55-60
Flauto traverso, Oboe (d'amore), Violino I, Violino II, Viola da gamba I. II., Tenore, Liuto 1. II. e Continuo
Unfigured
Range - d' - d'''
Written for Oboe d'amore but suitable for Oboe.

Arias for Tenor, Two Oboes d'amore, and Continuo

1. Cantata 123 - "Liebster Immanuel Herzog der Frommen"
Epiphany, c. 1740
No. 3. "Ach die harte Kreuzesreise"
B.W. XXVI pp. 54-56
Oboe d'amore I, Oboe d'amore II, Tenore, Continuo
Partially Figured Bass
Range - c' - c'''

2. Cantata 178 - "Wo Gott der Herr nicht bei uns hält"
Trinity VIII, c. 1740
No. 4. "Sie stellen uns wie Ketzern nach"
B.W. XXV pp. 259- 261
Oboe d'amore I, Oboe d'amore II, Tenore, Continuo
Figured Bass
Range- c' - d'''

3. Christmas Oratorio, Part VI
Epiphany, 1735
No. 9. "Nun mögt ihr stolzen Feinde schrecken"
B.W. V2 pp. 248-254
Oboe d amore I, Oboe d'amore II, Tenore, Organo e Continuo
Figured Bass
Range - c' - d'''

4. Cantata 117 - "Sei Lob und Ehr'dem höchsten Gut"
Occasion not specified, c. 1733
No. 3. "Wis unser Gott geschaffen hat"
B.W. XXIV pp. 168-171
Oboe d'amore I, Oboe d'amore II, Tenore, Continuo
Unfigured
Range - c' - c'''

5. Cantata 36 - "Schwingt freudig euch empor"
Advent I, c. 1730
No. 6 (Choral) "Der du bist dem vater gleich"
B.W. Vll pp. 251-253
Oboe d'amore I, Oboe d'amore II, Tenore, Organ e Continuo
Figured Bass
Range - c' - d'''

6. Cantata 104 - "Du Hirte Israel, höre"
Easter II (Misericordias Domini), c. 1725
No. 3. "Verbirgt mein Hirte sich zu lange"
B.W. XXIII pp. 107-111
Oboe d'amore I, Oboe d'amore II, Tenore, Continuo
Figured Bass
Range - c' - c'''

7. Cantata 168 - "Thue Rechnung! Donnerwort"
Trinity IX, c. 1725
No. 3. "Capital und Interessen meiner Schulden gross und kleim"
B.W. XXXIII pp. 158-161
Oboe d'amore, I. II., Tenore, Continuo
Figured Bass
Range - c' - c'''
Written for two Oboes d'amore im unison but suitable for one.

8. Cantata 24 - "Ein ungefärbt Gemüthe"
Trinity IV, 1723
No. 5. "Treu' und Wahrheit sei der Grund"
B.W. V pp. 146-149
Oboe d'amore I, Oboe d'amore II, Tenore, Continuo
Figured Bass
Range - c' - c'''

9. Cantata 94 - "Was frag' ich nach der Welt"
Trinity IX, 1735
No. 3. (Recitative and Choral) "Die Welt sucht Ehr' und Ruhm"
B.W. XXII pp. 107-111
Oboe I, Oboe II, Tenore, Organo e Continuo
Figured Bass
Range - c' - c''' (Oboes d'amore)
Written for two Oboes but out of range for oboe good range for two Oboes d'amore.

Arias for Tenor, Two Oboes d'amore, Strings, and Continuo

1. Cantata 95 - "Christus, der ist mein Lebel"
Trinity XVI, 1732
No. 4. "Ach, schlage doch bald"
B.W. XXII pp. 145-152
Oboe d'amore I, Oboe d'amore II, Violino I (pizzicato), Violino II (pizzicato), Viola (pizzicato), Tenore, Continuo (pizzicato)
Unfigured
Range - c'- c'''

2. Cantata 88 - "Siche, ich will viel Fischer aussenden"
Trinity V, 1732
No. 3. "Nein, nein! Gott ist allezeit geflissen"
B.W. XX1 pp. 166-169
Oboe d'amore I, Tenore, Continuo, Oboe d'amore II, Violino I, Violino II, Viola
Unfigured
Range - c' - c'''
Aria is basically for the Oboe d'amore I, Tenore, and Continuo but the other instruments enter near the end to finish the aria.

Arias for Tenor, English Horn, and Continuo

1. (Cantata 186) - "Arg're dicta, o Seele, nicht"
Trinity VII, 1723 (Reworked in Leipzig)
No. 5. "Mein Heiland lasst sich merken"
B.W. XXXVII pp. 132-135
Oboe da caccia, Tenore, Continuo
Figured Bass
Range - a - bb''
Out of range. If transposed up into English Horn range, i.e. a minor third, the Tenor would be too high. The aria is better suited to Violoncello.

2. Cantata 16 - "Herr Gott, dich loben wir"
New Year's Day, 1724
No. 5. "Geliedter Jesu, du, du allein"
B.W. II pp. 193-197
Oboe di caccia o Violetta. Tenrore Continuo
Unfigured
Range - c'- a''

Aria for Tenor, Two Flutes, English Horn, and Continuo

1. Cantata 13 - "Meine Senfzer, meine Thränen"
Epiphany II, c. 1740
No.1. "Meine Senfzer, meine Thränen"
B.W. II pp. 81-86
Flauto I, Flauto II, Oboe di caccia, Tenore, Continuo
Figured Bass
Range - c'- bb''

Arias for Tenor, Two English Horns, and Continuo

1. Cantata 119 - "Preise, Jerusalem, dem Herrn"
Inauguration of the Civic Council, 1723
No. 3. "Whol dir, du Volk der Linden"
B.W. XXIV pp. 217-220
Oboe da caccia I, Oboe da caccia II, Tenore, Continuo
Upfigured
Range - d' - a''

ARIAS FOR BASS

Arias for Bass, Oboe, and Continuo

1. Cantata 56 - "Ich will den Krenzstab gerne tragen"
Trinity XIX, 1732
No. 3. "Endlich wird mein Joch"
B.W. XII2 pp. 98-102
Oboe Solo, Basso, Continuo
Unfigured
Range - c' - c'''

2. (Cantata 152) - "Tritt auf die Glaubensbahn"
Sunday after Christmas, 1715
No. 2. "Tritt auf die Glaubensbahn"
B.W. XXXII pp. 26-28
Oboe, Basso, Continuo
UnOgured
Range - a - g''
Out of range for oboe; also Bass is very low (e). This aria should be performed a minor third higher.

Aria for Bass, Oboe, Violin, and Continuo

1. Cantata 47 - "Wer sich selbst erhohet, der soll erniedriget werden"
Trinity XVII, 1720
No. 4. "Jesu, beuge doch mein Herze"
B.W. X pp. 268-273
Oboe, Violino, Basso, Continuo
Figured Bass
Range - d' - c'''

Arias for Bass, Oboe, Strmgs, and Continuo

1. Cantata 78 - "Jesu der du meine Seele"
Trinity XIV, c. 1740
No. 6. "Nun, du wirst mein Gewissen stillen"
B.W. XVIII pp. 280-285
Oboe I, Violin I, Violino II, Viola, Basso, Continuo
Figured Bass
Range - c' - c'''

2. Cantata 82 - "Ich habe genung"
Purification B.V.M., c. 1731
No. 1. "Ich habe genung"
B.W. XX pp. 27-35
Oboe, Violino I, Violino II, Viola, Basso, Continuo Organo
Figured Bass (Organo)
Range - c' - db'''

3. Cantata 85 - "Ich bin ein guter Hirt"
Easter II (Misericordias Domini), 1735
No. 1. "Ich bin ein guter Hirt"
B.W. XX pp. 101-105
Oboe, Violino I, Violino II, Viola, Basso, Continuo
Unfigured
Range - c' - c'''

4. Cantata 159 - "Sehet, wir geh'n hinauf gen Jerusalem"
Quinquagesima, 1729
No. 4. "Es it vollbracht"
B.W. XXXII pp.164-167
Oboe, Violino I, Violino II, Viola, Basso, Continuo
Figured Bass
Range - d' - c'''

5. Cantata 194 - "Höchsterwünschtes Freudenfest"
Trinity Sunday, 1723
No. 3. "Was des Höchsten Glanz erfüllt"
B.W. XXIX pp. 114-118
Oboe I, Violino I, Violino II, Viola, Basso, Continuo
Figured Bass
Range - c' - c'''
With the exception of four beats the Oboe doubles Violino I.

Aria for Bass, Flute, Oboe, Strings, and Continuo

1. Cantata 201 - "Der Streit zwischen Phoebus und Pan"
Collegium Musicum, 1731
No. 5. "Mit Verlangen drück' ich deine zartenWangen"
B.W. XI2 pp. 30-37
Flauto traverso I, Oboe d'amore I, Violino I, Violino II, Viola, Phoebus (Bass), Continuo
Figured Bass
Range - c#' - b''
Written for Oboe d'amore but suitable for Oboe.

Aria for Bass, Oboe, Solo Violin, Strings, and Continuo

1. Cantata 30 - "Freue dicta, erlöste Schaar"
St. John, 1738
No. 8 "Ich will nun hassen, und alles lessen"
B.W. V pp. 362-373
Oboe d'amore, Violino Solo, Violino I, Violino II, Viola, Basso, Organo e Continuo
Figured Bass
Range - d' - b''
Written for Oboe d'amore but suitable for Oboe

Aria for Bass, Oboe, Bassoon Obligato, Strings, and Continuo

1. Cantata 197 - "Gott ist uns're Zuversicht"
Wedding, 1737
No. 6. "O du angenhmes Paar"
B.W. XIII1 pp. 129-136
Oboe I, Violino II, Fagotto Obligato, Basso, Continuo
Unfigured
Range - d' - c'''

Aria for Bass, Two Oboes, and Continuo

1. Cantata 14 - "Wär' Gott nicht mit uns diese Zeit"
Epiphany IV, 1735
No. 4. "Gott, bei deinem starker Schützen sind wir vor den Feinden frei"
B.W. II pp. 126-131
Oboe I, Oboe II, Basso, Continuo
Figured Bass
Range - c' - c'''

Aria for Bass, Two Oboes, Strings, and Continuo

1. Cantata 96 - "Herr Christ, der ein'ge Gottessohn"
Trinity XVIII, c. 1740
No. 5. "Bald zur Rechten bald Linden lenkt sich mein verirrter Schritt"
B.W. XXII pp. 180-183
Oboe I, Oboe II, Violino I, Violino II, Viola, Basso, Continuo
Figured Bass
Range - c' - c'''

Aria for Bass, Two Oboes, French Horn, Strings, and Continuo

1. Cantata 899 - "Was soll ich aus dir machen"
Trinity XVIII, c. 1730
No. 1. "Was soll ich aus dir machen"
B.W. XX pp. 181-188
Oboe I Oboe II, Corno, Violino I, Violino II, Vioia, Basso, Continuo
Figured Bass
Range - c' - d'''

Arias for Bass, Two Oboes, English Horn, and Continuo

1. Cantata 101 - "Nimn von uns, Herr, du treuer Gott"
Trinity X, c. 1740
No. 4. "Warum willst du so zornig sein"
B.W. XXIII pp. 21-25
Oboe I, Oboe II, Taille, Basso, Continuo
Unfigured
Range - c' - d''' (Oboes); d'- b'' (English Horn)

2. Cantata 68 - "Also hat Gott die Welt geliebt"
Whit-Monday, 1735
No. 4. "Du bist geboren mir zu Gute"
B.W. XVI pp. 265-272
Oboe I, Oboe II, Taille, Basso, Continuo
Figured Bass
Range - c' - d''' (Oboes), d' - a" (English Horn)
Same as Aria No. 7 in Cantata 208.

3. Cantata 208 - "Was mir behagt"
Banquet following a day's hunting, Feb. 23, 1716
No. 7. "Ein Füst ist seines Landes Pan"
B.W. XXIX pp. 12-15
Oboe I, Oboe II, Taille, Pan (Basso), Continuo
Unfigured
Range - c' - d''' (Oboes), d' - a'' (English Horn)
Same as Aria No. 4. in Cantata 68 (see above), which has a figured bass.

Arias for Bass, Three Oboes, and Continuo

1. Cantata 26 - "Ach wie flüchtig, ach wie nichtig"
Trinity XXIV, c. 1740
No. 4. "An irdische Schätze das Herze zu hängen ist eine Verführung der thörichten Welt"
B.W. V pp. 208-215
Oboe I, Oboe II, Oboe III, Basso, Organo e Continuo
Figured Bass
Range - c' - d'''

2. Cantata 20 - "O Ewigkeit, du Donnerwort"
Trinity I, c. 1725
No. 5. "Gott ist gerecht in seinen Werken"
B.W. II pp. 309-313
Oboe I, Oboe II, Oboe III, Basso, Continuo
Figured Bass
Range - c' - a''

Arias for Bass, Oboe d'amore, and Continuo

1. Christmas Oratorio, Part V
Sunday after New Year's Day, 1735
No. 5. "Erleucht' auch meine finstre sinnen" |
B.W. V2 pp. 191-195
Oboe d amore Solo, Basso, Organo e Continuo
Figured Bass
Range - c' - d'''

2. "Ehre sei Gott"
Christmas Day, 1728
No. 6. "Ich lasse dich nicht"
B.W. XLI pp. 111-114
Oboe d'amore Solo, Basso, Continuo
Unfigured
Range - c' - c'''

Aria for Bass, Oboe d'amore, Violin, and Continuo

1. Cantata 139 - "Wohl dem, der sich auf seinen Gott"
Trinity XXIII, c. 1740
No. 4. "Des Unglück schlägt auf allen seiten"
B.W. XXVIII pp. 239-246
Oboe d'amore I.II., Violino, Basso, Continuo
Unfigured
Range - c' - d'''
Written for two unison Oboes d'amore but suitable for one Oboe d'amore.

Aria for Bass, Oboe d'amore, Strings, and Continuo

1. Cantata 108 - "Es ist euch gut, dass ich hingehe"
Easter IV (Cantata), 1735
No. 1. "Es ist euch gut, class ich hingehe"
B.W. XXIII pp. 205-210
Oboe d'amore I, Violino I, Violino II, Viola, Basso, Continuo
Figured Bass
Range - c' - d'''

Aria for Bass, Oboe d'amore, Solo Violin, String and Continuo

1. Cantata 30 - "Freue dicta, erlöste Schaar"
St. John, 1738
No. 8. "Ich will nun hassen, und alles lessen"
B.W. V pp. 362-373
Oboe d'amore, Violino Solo, Violino I, Violino, Viola, Basso, Organo e Continuo
Figured Bass
Range - f' - d'''
Also suitable for Oboe.

Aria for Bass, Flute, Oboe d'amore, Strings, and Continuo

1. Cantata 201 - "Phoebus und Pan"
Collegium Musicum, 1731
No. 5. "Mit Verlangen drück' ich deine zarten Wangen"
B.W. XI2 pp. 30-37
Flauto traverso I, Oboe d'amore I, Violino I
Violino II, Viola, Phoebus (Basso), Continuo
Figured Bass
Range - e' - d'''

Arias for Bass, Two Oboes d'amore, and Continuo

1. Cantata 113 - "Herr Jesu Christ, du höchstes Gut"
Trinity XI, c. 1740
No. 3. "Furwahr, wenn mir das kömmet ein"
B.W. XXIV pp. 63-66
Oboe (d'amore) I, Oboe (d'amore) II, Basso, Continuo
Unfigured
Range - c' - d'''

2. Mass in b minor
1733
No. 18. "Et in Spiritum sanctum Dominum et vivificantem"
B.W. VI pp. 216-221
Oboe d'amore I, Oboe d'amore II, Basso, Continuo
Unfigured
Range - c' - c'''

Aria for Bass, Two Oboes d'amore, Violin, and Continuo

1. Cantata 139 -"Wohl dem, der sich auf seinen Gott"
Trinity XXIII, c. 1740
No. 4. "Das Unglück schlägt auf alien Seiten"
B.W. XXVIII pp. 239-246
Oboe d'amore I. II., Violino, Basso, Continuo
Unfigured
Range - c' - d'''
Unison Oboes d'amore, suitable for one Oboe d'amore

Arias Bass, Two Oboes d'amore, Strings, and Continuo

1. Cantata 81 - "Jesus schläft, was soll ich hoffen?"
Epiphany lV,1724
No. .5. "Schweig! schweig! auf gethürmtes"
B.W. XXI1 pp.16-23 a
Oboe d'amore I, Oboe d'amore II, Violino I, Violino II. Viola, Basso, Continuo
Figured Bass
Range - c' - c'''

Aria for Bass, Two English Horns, and Continuo

1. Cantata 65 - "Sie werden aus Saba alle kommen"
Epiphany, 1724
No. 4. "Gold und Ophir ist zu schlecht"
B.W. XVI pp. 154-157
Oboe da caccia I, Oboe da caccia II, Basso, Continuo
Unfigured
Range - d' - b''

DUETS

Duet for Soprano and Alto, Flute, Oboe, and Continuo

1. Cantata 99 - "Was Gott thut, das ist wohlgethan"
Trinity XV, 1733
No. 5. "Wenn des Kreuzes Bitterkeiten"
B.W. XXII pp. 272-275
Flauto traverso, Oboe d'amore, Soprano, Alto, Continuo
Unfigured
Range - d' - b''
Written for Oboe d'amore, but suitable for Oboe.

Duet for Soprano and Alto, Two Oboes, and Continuo

1. Cantata 23 - "Du wahrer Gott und Davids Sohn"
Quinquagesima, 1724
No. 1. "Du wahrer Gott und Davids Sohn"
B.W. V pp. 93-103
Oboe I, Oboe II, Soprano, Alto, Continuo
Figured Bass
Range - c' - c'''

Duets for Soprano and Alto, Flute, Oboe d'amore, and Continuo

1. Cantata 9 - "Es ist das Heil uns kommen her"
Trinity VI, 1731 (?)
No. 5. "Her, du siehst statt guter Werke auf des Herzens Glaubens stärke"
B.W. I pp. 266-272
Flauto traverso, Oboe d'amore, Soprano, Alto, Continuo
Unfigured
Range - c' - b''

2. Cantata 99 - "Was Gott thut, das ist wohlgethan"
Trinity XV, 1733
No. 5. "Wenn des Kreuzes Bitterkeiten"
B.W. XXII pp. 272-275
Flauto traverso, Oboe d'amore, Soprano, Alto, Continuo
Unfigured
Range - f' - d'''
Written for Oboe d'amore, but suitable for Oboe.

Duet for Soprano and Alto, Two Oboes d'amore, Strings, and Continuo

1. Mass in b minor
1733
No. 14. "Et in unum dominum"
B.W. VI pp. 172-182
Oboe d'amore I, Oboe d'amore II, Violino I, Violino II, Viola, Soprano, Alto, Continuo
Unfigured
Range - c' - e'''

Duet for Soprano and Alto, English Horn, and Continuo

1. Cantata 167 - "Ihr Menschen, rühmet Gottes Liebe"
St. John, c. 1725
No. 3. "Gottes Wort das trüget nicht"
B.W. XXXIII pp. 133-138
Oboe da caccia, Soprano, Alto, Continuo
Figured Bass
Range - d' - c'''

Duet for Soprano and Alto, Flute, English Horn, and Continuo

1. Cantata 101 - "Nimm von uns, Herr, du treuer Gott"
Trinity X, c. 1740
No. 6. "Gedenk' an Jesu bittern Tod"
B.W. XXIII pp. 27-31
Flauto traverso, Oboe da caccia, Soprano, Alto, Continuo
Unfigured
Range - c' - b''

Duet for Soprano and Tenor, Oboe, and Continuo

1. Cantata 185 - "Barmherziges Herze der ewigen Liebe"
Trinity IV, 1715
No. 1. "Barmherziges Herze der ewigen Liebe"
B.W. XXXVII pp. 103-107
Oboe (Tromba), Soprano, Tenore, Continuo
Figured Bass
Range - e'- f#''
Oboe plays chorale melody

Duets for Soprano and Bass, Oboe, and Continuo

1. Cantata 131 - "Aus der Tiefe rufe ich, Herr, zur dir"
Mourning, 1707-8
No. 2. "So du willst, Herr, Sünde zurechnen"
B.W. XXVIII pp. 10-14
Oboe, Soprano, Basso, Continuo
Figured Bass
Range - e' - c'''

2. Cantata 63 - "Christen, ätzet diesen Tag"
Christmas Day 1723
No. 3. "Gott, du hast es wohl gefüget"
B.W. XVI pp. 76-79
Oboe, Soprano, Basso, Organo e Continuo
Figured Bass
Range - e' - c'''

3. Cantata 140 - "Wachet auf, ruft uns die Stimme"
Trinity XXVII, 1731-42
No. 6. "Mein Freund ist mein"
B.W. XXVIII pp. 279-283
Oboe Solo, Soprano, Basso, Continuo
Figured Bass
Range - c' - bb''

Duet for Soprano and Bass, Oboe, Strings, and Continuo

1. Cantata 80 - "Ein' feste Burg ist unser Gott"
Reformation Festival, (Oct. 31,) 1730
No. 2. "Mit unsrer Macht ist nichts gethan"
B.W. XVIII pp. 351-356
Oboe, Violino I.II. e Viola in unisono, Soprano, Basso, Continuo
Unfigured
Range - d'- f#''

Duets for Soprano and Bass, Two Oboes, and Continuo

1. Cantata 194 - "Höchsterwünschtes Freudenfest"
Trinity Sunday, 1723
No, 10. "O wie wohl ist uns gescheh'n"
B.W. XXIX pp. 130-137
Oboe I, Oboe II, Soprano, Basso, Continuo
Unfigured
Range - c'- c'''

2. Cantata 137 - "Lobe den Herren, den mächtigen König der Ehren"
Trinity XII, 1732
No. 3. "Lobe den Herren, da Künstlich und fein dich bereitet"
B.W. XXVIII pp. 189-192
Oboe I, Oboe II, Soprano, Basso, Continuo
Figured Bass
Range - d'- C#'''

Duet for Soprano and Bass, Oboe, Oboe d'amore, and Continuo

1. Christmas Oratorio, Part I
Christmas Day, 1734
No. 7. (Choral) "Er ist auf Erden Kommen arm"
B.W. V2 pp. 37-41
Oboe, Oboe d'amore, Soprano, Basso, Fagotto, Organo e Continuo
Figured Bass
Range - b'- a'' (Oboe); c'- c''' (Oboe d'amore)

Duet for Soprano and Bass, Two Oboes d'amore, and Continuo

1. Christmas Oratorio, Part III
Christmas Third Day, 1734
No. 6. "Herr, dein Mitleid, dein Erbarmen"
B W. V2 pp. 111-119
Oboe d'amore I, Oboe d'amore II, Soprano, Bass Organo e Continuo
Figured Bass
Range - c' - c'''

Duet for Alto and Tenor, Oboe d'amore, and Continuo

1. Cantata 128 - "Auf Christi Himmelfahrt Allein"
Ascension Day, 1735
No. 4. "Sein' Allmacht zu ergründen"
B.W. XXVI pp. 179-183
Oboe (d'amore) I, Alto, Tenor, Continuo
Figured Bass
Range - c' - c'''

Duet for Alto and Tenor, Oboe d'amore, Violin, and Continuo

1. Cantata 60 - "O Ewigkeit, du Donnerwort"
Trinity XXIV, 1732
No. 3. "Mein ietztes Lager will mich schrecken"
B.W. XII2 pp. 181-186
Oboe d'amore I, Violino I (Solo), Die Furcht (Alto), Die Hoffnung (Tenore), Continuo
Unfigured
Range - c' - c''' (Transposed)l

Duet for Alto and Tenor, Two Oboes d'amore, French Horn, Strings, and Continuo

1. Cantata 60 - "O Ewigkeit du Donnerwort"
Trmity XXIV, 1732
No. 1. "O Ewigkeit du Donnerwort"
B.W. XII2 pp. 171-179
Corno, Oboe d'amore I, Oboe d'amore II, Violino I, Violino II, Viola, Die Furcht (Alto), Die Hoffnung (Tenore), Continuo
Figured Bass
Range - c' - d'''

Duet for Alto and Tenor, English Horn, Violin, and Continuo

1. Cantata 80 - "Ein' feste Burg ist unser Gott"
Reformation Festival, (Oct. 31), 1730
No. 7. "Wie selig sind doch die"
B.W. XVIII pp. 373-378
Oboe da caccia, Violino, Alto, Tenore, Continuo
Unfigured
Range - c#'- c#'''

Duet for Tenor and Bass, Flute, Oboe, Violin, and Continuo

1. Cantata 157 - "Ich lasse dich nicht"
Purification B.V.M., 1727
No.1. "Ich lasse dich nicht"
B.W XXXII pp. 117-122
Flauto traverso, Oboe, Violino (Solo), Tenore, Basso, Continuo
Figured Bass
Range - c#' - a''

Duet for Tenor and Bass, Two Oboes, and Continuo

1. Cantata 33 - "Allein zu dir, Herr Jesu Christ"
Trinity XIII, c. 1740
No. 5. "Gott, der du die Liebe heisst"
B.W. VII pp. 106-113
Oboe I, Oboe II, Tenore, Basso, Organo e Continuo
Figured Bass
Range - d'- d'''

Duet for Tenor and Bass, Two Oboes, Strings, and Continuo

1. Cantata 146 - "Wir müssen durch viel Trübsal"
Easter III (Julilate), c. 1740
No. 7. "Wie will ich mich freuen"
B.W. XXX pp. 178-189
Oboe I, Oboe II, Violino I, Violino II, Viola Tenore, Basso, Continuo
Unfigured
Range - c' - c'''

2. Cantata 44 - "Sie werden euch in den Bann thun"
Sunday after Ascension Day, c. 1725
No. 1. (Chorus) "Sie werden euch in den Bann
B.W. X pp. 129-133
Oboe I, Oboe II, Tenore, Basso, Fagotto e Continuo
Figured Bass
Range - c'- c'''

Duet for Tenor and Bass, Oboe d'amore, and Continuo

1. Cantata 190 - "Singet dem Herrn ein neues Lied"
New Year's Day, 1725
No. 5. "Jesus soll mein Alles sein"
B.W. XXXVII pp. 252-254
(Oboe d'amore), Tenore, Basso, Continuo
Unfigured
Range - c' - b''

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