The Journal of the

International Double Reed Society

No. 20, 1992

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TABLE OF CONTENTS

1. IDRS Officers
2. Honorary Members
3. The Concertos of Johann Sebastian Bach Currently in the Repertory of the 20th-Century Oboe Soloist: Charles-David Lehrer
4. Special Announcement: Susan Laib
5. A Bassoonist's Expansions Upon Marcel Tabuteau's "Drive:" Terry B. Ewell
6. Good Vibrations: Musician-Scientists Probe the Woodwind Reed: Karen F Schmidt
7. Letters to the Editors
   • Neville G. Forsythe writes about the bassoon "scene" in New Zealand
   • Ken Pasmanick recounts his experience recording the Schuler Bassoon Concerto
   • Richard Porter and his donation of and oboe
   • Joe Cavanaugh writes about sacred songs for oboe, soprano, and piano
   • Philippe Rigoutat commenting on an interview with Gerard Fossati
8. Bassoon Instrument and Bocal Preference and Useage: Ronald Klimko and Marc Apfelstadt
9. Review of "You Are Your Instrument" by Julia Lyonn Lieberman: Steve Hanna
10. A Catalogue of Norwegian Oboe literature: Supplement: Brent Register
    • Introduction Oboe--Solo and Ensemble
      
    • English Horn--Solo and Ensemble
      
    • Classified Listing of Norwegian Compositions
      
    • Additional Oboe Compositions
11. Honorary Membership Nomination Procedure for 1992
12. Special Announcement: Pauline Oostenrijk
13. Mozart, Wolfgang Amadeus: Concerto for Bassoon and Orchestra, KV 191: A Discography: Alf Sollie
14. Johann Neopomuk Hummel's Grand Concerto in F: Wade Irvin
15. An Introduction and Programmatical Analysis of the Six Metamorphoses After Ovid: Frank Mulder
16. Yeni Makam 1: New Sounds for Solo Bassoon using Ancient Modes: Edward J. Hines
17. Thomas Vincent: Portrait of an Eighteenth Century Musician: Kathryn Gleasman Pisaro
18. Suggestions for Practicing Technically Difficult Passages for Bassoon: Stephan Weidauer
19. Report of the Executive Secretary/Treasurer: Lowry Riggins
20. In Memory of Dorothy Scott Mayer
21. Stolen Oboes and Bassoons

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