CONSIDERATIONS RE SHAPE OF CROOK
William Waterhouse BBC Symphony London
[Editor's Note. See p. 23 of Lyndesay Langwill's Lee Bassoon and
Contrabassoon (Benn. London or Norton, NYC.) which has a photo of Mr. Waterhouse
and his unusual straightened bocal. I have played on Waterhouse's set-up in my
home and found it very comfortable and efficient. Many English bassoonists and
others have adopted crooks of this type. Roger Birnstringl, Principal with the
London Symphony, has one for general orchestral use and another crook more
gently modified for standing solo performance with neck strap. ]
Advantages of a straight crook:
- 1. Allows a tall player to maintain natural posture while playing.
- 2. Allows instrument (when fitted with spike attached to butt cap) to rest
on floor, freeing arms from supporting any of its weight.
- 3. All condensation in the crook runs down into instrument instead of back
into reed.
How to determine proper angle of crook:
- 1. Determine desired angle of reed in mouth. For best control upper and
lower lip should be level on reed blades: thus with a protruding upper lip the
reed should be tilted downwards away from the mouth. This is best assessed with
reed alone in mouth using a side view mirror.
- 2. Determine most comfortable angle and position to hold instrument,
bearing in mind natural body posture and freedom of finger movement.
- 3. As length of crook is a fixed quantity, its shape is now determined by
these two factors. (Heckel, Schrieber and Fox can all make straightened crooks
to order. Ed.)