The Double Reed, Vol. 8, No. 3

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TABLE OF CONTENTS

1. I.D.R.S. Personnel
2. From the Bassoon Editor's Desk: Ron Klimko
3. New Honorary Members Elected by Membership at Boulder
4. From the Oboe Editor's Desk: Dan Stolper
5. The Changing Scene
6. The Goritzki Oboe, Oboe d'amore, Bach Master Class: Kathleen Krause
7. Stolen Oboes and Bassoons
8. Help for the Standing Bassoonist: Alan Leech
9. Bassoonists in the News
10. Oboists in the News
11. The Stacy Seminar, 1985: Janet Livingstone
12. The Second Annual Miller/Skinner Bassoon Symposium: Carolyn Beck
13. Honorary Members
14. Mayer Recovering After Surgery
15. A Dissertation on the Use of Alternate Fingers for Some of the High Register Notes on the Heckel and Heckel-Type Bassoons: Frederick Moritz
16. New York Philharmonic Oboists
17. Performing with Tape: Problems and Solutions: Nancy Warfield
18. Letters to the Editor
19. Harold Gomberg, 1917-1985
20. The Exhibits at the I.D.R.S. Conference, Boulder
21. The Gallery: Kevin McCornack
22. A Brief Outline on Adjusting Plastic Bassoon Reeds: Artemus Edwards
23. Lost Members?
24. Music, Books, and Records: Robert Howe
25. Bassoon Record Reviews: Philip Gottling, Barbara Novak, Ron Klimko
    
    

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About the cover: Pour Toi, a lithograph portrait of Desire Dihau, by Henri Toulouse-Lautrec (Musee Toulouse-Lautrec, Albi, France). Dihau (1833-1909), the well-known Parisian bassoonist, was the main subject of Edgar Degas' painting, L'Orchestre de l' Opera, a reproduction of which was the cover for the Vol. 8, No. 1, Spring, 1983, issue of The Double Reed. He was an obvious friend of many of the French Impressionist artists of his time. (See also the article by Helene Couturier, page 2 of the same issue of The Double Reed.) Many thanks to Phil Gottling for his submission of the Lautrec lithograph. Ed.

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