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“…sixteenth notes are grouped in sets of four and invite combinations of slurred and separate notes. Of the five possibilities, Figure 2 illustrates four which were common during the early eighteenth century and a fifth combination which was not in favor during this period.”
From: Manning, D. (1994) A Study of the Oboe Concertos of Johann Friedrich Fasch with a Performing Edition of Oboe Concerto in G Major (Küntzel 8) : A Lecture Recital Together with Three Other Recitals of Selected Works of Handel, Mozart, Bellini, Poulenc, Britten and Others https://www.academia.edu/39339816/A_Study_of_the_Oboe_Concertos_of_Johann_Friedrich_Fasch_with_a_Performing_Edition_of_Oboe_Concerto_in_G_Major_K%C3%BCntzel_8_A_Lecture_Recital_Together_with_Three_Other_Recitals_of_Selected_Works_of_Handel_Mozart_Bellini_Poulenc_Britten_and_Others
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