“La Monica”: A study of early baroque performance practices as applied to Philipp Friedrich Boeddecker’s “Sonata sopra ‘La Monica February 8, 2026
The collaboration between performer and composer in the composition of three studies for solo oboe August 26, 2025
From “a doubtful privilege” to “the solo in every concert” : the oboist’s tuning-A in John Corigliano’s “Tuning Game” September 1, 2024
Repertoire for a Swedish Bassoon Virtuoso: Approaching Early Nineteenth-Century Works Composed for Frans Preumayr with an Original Grenser & Wiesner Bassoon January 8, 2023
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