Repertoire for a Swedish Bassoon Virtuoso: Approaching Early Nineteenth-Century Works Composed for Frans Preumayr with an Original Grenser & Wiesner Bassoon January 8, 2023
Duo para Oboé e Fagote de Heitor Villa-Lobos: Um Estudo Analítico para uma Proposta Interpretativa para o Oboé [Duo for Oboe and Bassoon by Heitor Villa-Lobos: An Analytical Study for an Interpretative Proposal for the Oboe] September 10, 2022
A Critical Edition of the 48 Studies for Oboe, Op. 31 by Franz Wilhelm Ferling (1796-1874), Based on Original Historical Evidence and Viewed Within the Context of the Evolution of Didactic Material for Oboe, with Particular Reference to Nineteenth-Century Performing Practices September 10, 2022
Estudio y Análisis Comparado del Concierto para Oboe y Orquesta KV314 (285d) de W. A. Mozart [Study and Comparative Analysis of the Concerto for Oboe and Orchestra KV314 (285d) by W. A. Mozart] May 19, 2022
Creative Collaboration in Music: An Exploration of the Oboe in Australian Contemporary Repertoire May 19, 2022
Jean Françaix : L’Horloge de Flore, an Analysis, Performance Suggestions and a Simplified, Two-Hand Reduction of the Piano Accompaniment May 15, 2022
The Bassoon Music of Gordon Jacob: An Analysis of the Concerto for Bassoon and Strings and the Partita for Solo Bassoon September 17, 2020
John Cage’s ‘Rock’ Music: Ecocritical and Performance Considerations in Ryoanji for Solo Oboe and Percussion Obbligato (1983) July 21, 2020
