“La Monica”: A study of early baroque performance practices as applied to Philipp Friedrich Boeddecker’s “Sonata sopra ‘La Monica February 8, 2026
The collaboration between performer and composer in the composition of three studies for solo oboe August 26, 2025
From “a doubtful privilege” to “the solo in every concert” : the oboist’s tuning-A in John Corigliano’s “Tuning Game” September 1, 2024
Arundo donax or Bust? A Preliminary Investigation Into Alternative Natural Materials for Oboe Reeds August 30, 2024
The Lilien Partbooks in the Sonsfeld Collection: A Primary Source of Music for Hautboisten in the 18th-Century Prussia January 18, 2023