Double Reed Online
The latest news and event announcements from around the double reed world.
The Fernand Gillet-Hugo Fox Oboe Competition Committee is pleased to announce the repertoire for next year’s competition, which will take place at Lawrence University in Appleton, WI, USA in June 2017. Competition entries will be accepted starting on or around January 1, 2017 through an online application process. More information will be available at the end of August at http://idrs.org/competitions/ or contact Margaret Marco at email@example.com.
The 2017 Fernand Gillet-Hugo Fox Oboe Competition Repertoire:
- Marin Marais
Les Folies d’Espagne, couplets 1, 2, 3, 8,9,12,13,14,15,16, 20, 22, 24, 25, 26, 27, 30, 32, 1 (Alphonse Leduc)
- C.P.E. Bach
Sonata in a minor for solo flute, Wq 132, (H562).
Movement 1, Poco adagio & Movement 3, Allegro – (edition of entrant’s choice)
- York Bowen
Sonata for Oboe and Piano, Op. 85, Movement 2, Andante espressivo and Movement 3, Allegro giocoso – (Chester)
- Isang Yun
Piri (entire piece) – (Boosey & Hawkes)
- Paul Patterson
Phoenix Concerto, Op. 102 – (Josef Weinberger)
For final round only:
Department of Music, College of Fine and Performing Arts, Western Washington University
The Department of Music within the College of Fine and Performing Arts at Western Washington University invites applications for a part-time instructor in applied bassoon and woodwind studies (non-tenure track) to begin in September, 2016. The position is located at the
University’s main campus in Bellingham, Washington. For more information on the Music Department at Western, please visit our website at http://cfpa.wwu.edu/music.
Duties: Teach applied lessons in bassoon and double reed methods for music education
majors. Coach chamber music as needed. Active participation in student recruitment is also
Qualifications: Masters degree or equivalent experience required. Evidence of successful
teaching and performance ability required.
Appointment: This is a one-year renewable contract as an Affiliate Faculty member of the
Department of Music.
Interested candidates must submit application materials to the WWU Non-Tenure Track Faculty
Vacancy Pool: https://jobs.wwu.edu/JobPosting.aspx?JPID=913.
Review of applications will begin immediately. Applications received by June 15, 2016 will
receive full consideration.
Interviews will be held on the WWU campus during late June. Any questions about the position
should be directed to Patrick Roulet at Patrick.Roulet@wwu.edu.
Western Washington University does not discriminate on the basis of race, color, creed, religion,
national origin, sex (including pregnancy and parenting status), disability, age, veteran status,
sexual orientation, gender identity or expression, marital status or genetic information in its
programs or activities. Inquiries may be directed to the Vice Provost for Equal Opportunity &
Employment Diversity, Title IX and ADA Coordinator, Equal Opportunity Office, WWU, Old Main
345, MS 9021, 516 High Street, Bellingham, WA 98225; 360.650.3307 (voice) or 711
(Washington Relay); firstname.lastname@example.org
We are pleased to announce the finalists for the 2016 IDRS Young Artist Oboe Competition. These finalists were chosen from a strong field of thirty-one applicants from eight countries: China, Germany, Korea, Russia, Spain, Switzerland, Taiwan, and the USA.
The finalists (in alphabetical order) are:
- Hannah Cruse, USA, student of Erin Hannigan
- Gabriel Young, USA, student of Linda Strommen
- Kip Zimmerman, USA, student of Peter Cooper
The alternate selected is Cassie Pilgrim, USA, student of Richard Woodhams.
The International Double Reed Society wishes to extend the utmost gratitude to the first-round judges, David John Cowley (UK), Robert Stephenson (USA) and Elizabeth Starr Masoudnia (USA).
Please plan to attend the final competition on Tuesday, June 28th at the conference in Columbus, Georgia, USA.
On behalf of the 2016 Fernand Gillet-Hugo Fox Competition Committee, I am pleased to announce the finalists for this year’s competition:
- Nanci Belmont, USA
Teachers include Frank Morelli, Jeffrey Keesecker, Maurizio Venturini
- Quinn Delaney, USA
Teachers include John Hunt, William Buchman
- Francesco Giussani, Italy
Teachers include Giorgio Versiglia, Diego Chenna
- Michael Kaulartz, Germany
Teachers include Ole Kristian Dahl, Audun Halvorsen
- Riccardo Terzo, Italy
Teachers include Maurizio Barigione, Stepan Turnovsky, Marco Postinghel, Dag Jensen
The alternate is Zhongwang Wang, China. Teachers include William Winstead, George Sakakeeny, Eric Stomberg
The finalists will compete at the IDRS conference in Columbus, Georgia on June 29th. The winner will perform Bernhard Crusell’s Concertino on the final concert and receive a cash prize of $12,000 US. The second prize is a $8,000 US cash award. Other finalists will receive a $3000 US cash award.
The IDRS wishes to express our deepest appreciation to our preliminary round judges:
- Mathias Rácz (Germany) Principal Bassoon of Tonhalle Orchester Zurich, Professor at Zürcher Hochschule der Künste
- Fabián Contreras (Argentina) Principal Bassoon of Orquesta Sinfónica de Córdoba
- Nicolasa Kuster (USA) University of the Pacific Conservatory of Music
- Lansong Li (China) Principal Bassoon of China Philharmonic Orchestra and Professor at Central Conservatory of Music Beijing
- Katarzyna Zdybel-Nam (Poland) Principal Bassoon of Wroclaw Symphony Orchestra and 1st prize winner of the 2012 Gillet-Fox Competition
Chair, Fernand Gillet-Hugo Fox Bassoon Competition
The Benefic Chamber Music Camp will be held at Ball State University in Muncie, Indiana from July 23 through July 31. Double Reed faculty includes: Dwight Perry, principal oboist of the Cincinnati Symphony Orchestra; Leonid Sirotkin, assistant professor of oboe at DePauw University; and Keith Sweger, professor of bassoon at Ball State University. For more information: www.BeneficMusic.com: email@example.com: 513.374.4577
The Schwob School of Music at Columbus State University seeks an exceptional teacher and performer of bassoon. This is a full time, tenure track faculty position in the Schwob School of Music within Columbus State University’s College of the Arts and will hold the academic rank of Assistant Professor. For more information, see [click]
Dark in the Song announces the first NewBassoon Workshop, a four-day event July 6-9, 2016 at the Eastman School of Music in Rochester, NY
ABOUT THE WORKSHOP
Four leading American bassoon artists and teachers, Michael Harley, Lynn Hileman, Peter Kolkay and Saxton Rose, all members of the pioneering bassoon collective Dark in the Song, present a four-day workshop on contemporary bassoon literature, performance techniques, and pedagogy. This session is designed for college students and above. Participants will work closely with the faculty in a variety of settings, including lessons, master classes, and ensembles. The event also includes faculty and student performances, exhibits, a performance competition, and a composition prize.
Register now at the Summer at Eastman website.
The entire workshop takes place at the Eastman School of Music in Rochester, NY
ACTIVITIES AND EVENTS
- Performance master classes and private lessons by Michael Harley, Lynn Hileman, Peter Kolkay, and Saxton Rose
- Special guest John Hunt, Professor of Bassoon, Eastman School of Music
- Discussion / demonstration on new trends in chamber music
- Workshop on multiphonics led by guest Jamie Leigh Sampson, author of Contemporary Techniques for the Bassoon: Multiphonics
- Workshops on contemporary bassoon literature and techniques, including circular breathing
- Panel discussion on grant writing, commissioning, and entrepreneurial activities for performers
- Performance and presentation on performing the Berio Sequenza
- Performance / demonstration on performing with various electronic systems including live looping
- Performance of Michael Gordon’s Rushes, an hour-long work for seven bassoons
- Faculty recital of solo and chamber works for bassoon by Dark in the Song including the premiere of the 2016 Composition Prize winning piece
- The Dark in the Song Performance Competition Final Round
- Wednesday, July 6 at 12pm: Welcome and Introductions, Hatch Recital Hall
- Wednesday, July 6 at 7:30pm: Faculty recital, Hatch Recital Hall
- Thursday, July 7 at 9:00am: Final Round of the Performance Competition, Hatch Recital Hall
- Friday, July 8 at 8:00pm: Performance of Michael Gordon’s Rushes
- Saturday, July 9 at 7:30pm: Participants and competition winners recital, Hatch Recital Hall
Midwest Musical Imports will exhibit bassoons, accessories, reeds and cane, tools and machines for sale and trial for the duration of the workshop. Repair technician Eric Anderson will also offer free repairs.
COSTS and HOUSING
Tuition for the four-day workshop, including all activities and concerts is $550. You can register now at the Summer at Eastman website.
Housing at the Eastman Student Living Center is available. Information about housing and local hotels.
I am very pleased to announce that Alan Gilbert, Music Director of the New York Philharmonic, has agreed to serve as Artistic Advisor to the IDRS in its 50th Anniversary Commissioning Project. In this capacity, Maestro Gilbert will be working with the Executive Committee in identifying composers for the three works (oboe concerto/concertino, bassoon concerto/concertino and oboe, bassoon, piano trio) that will be commissioned for the 50th anniversary of our society. Many thanks to Jeff Rathbun and Lenny Hindell who spearheaded the effort to have Maestro Gilbert join us in this project.
Professor of Bassoon
School of Music
Ball State University
Muncie, IN 47306-0410
President, International Double Reed Society
SCHOOL OF MUSIC – WESTERN MICHIGAN UNIVERSITY – Assistant/Associate Professor of Oboe
QUALIFICATIONS: Doctorate preferred – masters degree with significant progress toward the doctorate or professional experience equivalent to doctoral work will be considered; applicant must demonstrate excellence in, and commitment to, performance as both a solo and ensemble artist on the oboe; demonstrated success as a teacher of oboe is required, preferably at the university level. Secondary expertise in music technology, music theory and/or music history is required. The successful candidate will be expected to have strong interpersonal, communication, and collaborative skills; in addition, he/she will be expected to maintain an active performance career.
RESPONSIBILITIES: Serve as instructor of applied oboe for both undergraduate and graduate students. Serve as instructor of music technology, music theory, and/or music history. Perform as member of the Western Wind Quintet; maintain a record of performance and professional activities necessary for tenure. Recruitment and service appropriate for a university faculty member required.
APPLICATION: Please apply on-line at http://www.wmich.edu/hr/jobs. Your application will include: A cover letter highlighting qualifications, current curriculum vita, and three current letters of recommendation. Do not send any recordings at this time.
DEADLINE: Applications accepted until position is filled.
EXPECTED START DATE: August 2016