“La Monica”: A study of early baroque performance practices as applied to Philipp Friedrich Boeddecker’s “Sonata sopra ‘La Monica February 8, 2026
The collaboration between performer and composer in the composition of three studies for solo oboe August 26, 2025
From “a doubtful privilege” to “the solo in every concert” : the oboist’s tuning-A in John Corigliano’s “Tuning Game” September 1, 2024
Repertoire for a Swedish Bassoon Virtuoso: Approaching Early Nineteenth-Century Works Composed for Frans Preumayr with an Original Grenser & Wiesner Bassoon January 8, 2023
Duo para Oboé e Fagote de Heitor Villa-Lobos: Um Estudo Analítico para uma Proposta Interpretativa para o Oboé [Duo for Oboe and Bassoon by Heitor Villa-Lobos: An Analytical Study for an Interpretative Proposal for the Oboe] September 10, 2022
A Critical Edition of the 48 Studies for Oboe, Op. 31 by Franz Wilhelm Ferling (1796-1874), Based on Original Historical Evidence and Viewed Within the Context of the Evolution of Didactic Material for Oboe, with Particular Reference to Nineteenth-Century Performing Practices September 10, 2022