English

“La Monica”: A study of early baroque performance practices as applied to Philipp Friedrich Boeddecker’s “Sonata sopra ‘La Monica

• February 8, 2026

Musical Landscapes and Reminiscence

• August 26, 2025

Developing the Contraforte for Twenty-first-century Ensemble Playing

• June 24, 2025

Gustave Vogt’s Musical Album of Autographs: A Scholarly Edition

• May 30, 2025

Bernard Garfield Bassoon: A Website Archive and Resource

• January 17, 2025

Playing Injury Free: A New Pedagogical Resource for Oboists

• November 12, 2024

The Oboe Sings: Translating ‘bel canto’ Song for the Oboe

• September 20, 2024

Vinko Globokar’s Atemstudie for solo oboe: Analysis and performance guide

• September 20, 2024

From “a doubtful privilege” to “the solo in every concert” : the oboist’s tuning-A in John Corigliano’s “Tuning Game”

• September 1, 2024

Arundo donax or Bust? A Preliminary Investigation Into Alternative Natural Materials for Oboe Reeds

• August 30, 2024

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