A Critical Edition of the 48 Studies for Oboe, Op. 31 by Franz Wilhelm Ferling (1796-1874), Based on Original Historical Evidence and Viewed Within the Context of the Evolution of Didactic Material for Oboe, with Particular Reference to Nineteenth-Century Performing Practices September 10, 2022
Estudio y Análisis Comparado del Concierto para Oboe y Orquesta KV314 (285d) de W. A. Mozart [Study and Comparative Analysis of the Concerto for Oboe and Orchestra KV314 (285d) by W. A. Mozart] May 19, 2022
Creative Collaboration in Music: An Exploration of the Oboe in Australian Contemporary Repertoire May 19, 2022
A Study of Pedagogical Approaches to Inform Instructors on How to Help Ease the Transition of a Flute Student Switching to Oboe May 15, 2022
Jean Françaix : L’Horloge de Flore, an Analysis, Performance Suggestions and a Simplified, Two-Hand Reduction of the Piano Accompaniment May 15, 2022
From Dionysus to Die Walküre: The Ancient Greek Aulos as a Key to Wagner’s Writing for the Oboe and English Horn January 27, 2021
John Cage’s ‘Rock’ Music: Ecocritical and Performance Considerations in Ryoanji for Solo Oboe and Percussion Obbligato (1983) July 21, 2020
